1
00:00:01,034 --> 00:00:02,345
PREVIOUSLY ON THE L WORD...
2
00:00:02,369 --> 00:00:03,647
WHO DID THIS TO YOU?
IT DOESN'T MATTER.
3
00:00:03,671 --> 00:00:04,848
NO, TELL ME. I WILL
FUCKING KILL THEM.
4
00:00:04,872 --> 00:00:05,848
WHO DID THIS TO YOU?
5
00:00:05,872 --> 00:00:06,850
YOU DID IT.
6
00:00:06,874 --> 00:00:08,050
LOOK, I NEED SOMEBODY
7
00:00:08,074 --> 00:00:09,319
WHO LOOKS RELATIVELY HUMAN,
8
00:00:09,343 --> 00:00:12,255
OR AT LEAST IS A
CREDIBLE SIMULATION,
9
00:00:12,279 --> 00:00:14,391
AND THAT'S WHERE
HAIR GIRL COMES IN.
10
00:00:14,415 --> 00:00:15,614
FUCK YOU.
11
00:00:18,752 --> 00:00:20,230
WE'VE BEEN BEST FRIENDS
FOR HOW LONG, HUH?
12
00:00:20,254 --> 00:00:22,332
AND NOW YOU'RE GOING
TO FUCK UP THIS GIG
13
00:00:22,356 --> 00:00:23,633
WE'VE BEEN WORKING
OUR ASSES OFF ON
14
00:00:23,657 --> 00:00:24,634
FOR SOME CHICK?
15
00:00:24,658 --> 00:00:26,103
WE'RE WATCHING
16
00:00:26,127 --> 00:00:27,637
A BURR CONNOR FILM FESTIVAL.
17
00:00:27,661 --> 00:00:29,105
YES, MISS JENNY OVER HERE
18
00:00:29,129 --> 00:00:30,874
IS GOING TO GHOSTWRITE
19
00:00:30,898 --> 00:00:32,208
HIS MEMOIRS.
20
00:00:32,232 --> 00:00:33,643
ARE YOU FIRING ME
21
00:00:33,667 --> 00:00:35,245
BECAUSE I'M GAY?
22
00:00:35,269 --> 00:00:38,548
WELL, I WASN'T AWARE
THAT I'D ACTUALLY HIRED YOU.
23
00:00:38,572 --> 00:00:40,116
IT GETS KIND OF LONELY
ON THE ROAD SOMETIMES.
24
00:00:40,140 --> 00:00:41,818
YOU MUST MISS YOUR FAMILY.
25
00:00:41,842 --> 00:00:43,375
[GIGGLES]
26
00:00:44,978 --> 00:00:46,623
WHAT HAVE YOU BEEN DOING?
27
00:00:46,647 --> 00:00:48,258
THEY'VE BEEN HAVING
SEX ALL WEEKEND.
28
00:00:48,282 --> 00:00:50,260
HI. HI. HEY.
29
00:00:50,284 --> 00:00:51,294
MY NEXT SONOGRAM
30
00:00:51,318 --> 00:00:53,263
IS WEDNESDAY
THE 7th AT 10:00 A.M.
31
00:00:53,287 --> 00:00:54,397
WELL, I'D LOVE TO BE THERE.
32
00:00:54,421 --> 00:00:55,866
I MEAN, IF THAT'S OKAY WITH YOU.
33
00:00:55,890 --> 00:00:56,966
YEAH.
34
00:00:56,990 --> 00:00:58,991
I'D REALLY LIKE TO SEE OUR BABY.
35
00:01:07,134 --> 00:01:09,100
[WATER RUNNING]
36
00:01:32,760 --> 00:01:34,270
[CARMEN]: WELL, I
HAVE TO PEE, TOO.
37
00:01:34,294 --> 00:01:36,595
[JENNY]: I'M GOING
TO BE DONE IN A SEC.
38
00:01:38,732 --> 00:01:41,277
WHAT ARE YOU DOING?
39
00:01:41,301 --> 00:01:43,680
I WANT YOU TO SPREAD YOUR LEGS.
40
00:01:43,704 --> 00:01:45,048
[LIQUID TRICKLES]
41
00:01:45,072 --> 00:01:47,918
[GASPS]
42
00:01:47,942 --> 00:01:50,486
OH, MY GOD.
43
00:01:50,510 --> 00:01:52,544
OH, FUCK.
44
00:01:56,116 --> 00:01:58,995
THESE GIRLS ARE
TAKING FUCKING FOREVER.
45
00:01:59,019 --> 00:01:59,996
ARE YOU OKAY?
46
00:02:00,020 --> 00:02:01,619
I'M DYING.
47
00:02:03,824 --> 00:02:04,967
HEY, GUYS, COME ON.
48
00:02:04,991 --> 00:02:05,969
LET MARK IN. HE HAS TO GO.
49
00:02:05,993 --> 00:02:08,293
DO YOU FEEL THAT?
50
00:02:11,198 --> 00:02:12,242
COME ON, GUYS.
51
00:02:12,266 --> 00:02:13,243
HIS BACK TEETH ARE FLOATING.
52
00:02:13,267 --> 00:02:15,612
BE NICE.
53
00:02:15,636 --> 00:02:16,916
FUCK IT.
54
00:02:18,972 --> 00:02:19,972
OH.
55
00:02:25,079 --> 00:02:26,478
USE THE BUSHES.
56
00:02:28,815 --> 00:02:30,315
FUCK.
57
00:03:33,347 --> 00:03:34,791
HEY, I'M MARK WAYLAND,
58
00:03:34,815 --> 00:03:36,948
AND I LIVE IN A HOUSE
WITH TWO LESBIANS.
59
00:03:38,151 --> 00:03:40,151
MY NAME IS JENNY SCHECTER.
60
00:03:41,288 --> 00:03:42,765
I'M SHANE.
61
00:03:42,789 --> 00:03:46,491
AND THIS WILL BE A
DOCUMENT OF MY JOURNEY.
62
00:03:51,097 --> 00:03:52,942
INITIAL OBSERVATIONS
AND THEORIES.
63
00:03:52,966 --> 00:03:55,211
AND WHAT MAKES YOU THINK
THAT LESBIANS DON'T FUCK?
64
00:03:55,235 --> 00:03:56,645
WHERE DO YOU LIVE, MARK?
65
00:03:56,669 --> 00:03:58,314
IT'S ENTIRELY POSSIBLE.
66
00:03:58,338 --> 00:04:00,416
I'M DANA FAIRBANKS.
67
00:04:00,440 --> 00:04:02,552
I THOUGHT IT WOULD
TOTALLY RUIN MY CAREER,
68
00:04:02,576 --> 00:04:03,553
BUT IT DIDN'T.
69
00:04:03,577 --> 00:04:05,155
PEOPLE THANKED ME.
70
00:04:05,179 --> 00:04:08,057
THESE GIRLS TALK
ABOUT EVERYTHING.
71
00:04:08,081 --> 00:04:10,393
MY NAME IS CARMEN
DE LA PICA MORALES.
72
00:04:10,417 --> 00:04:12,562
I WAS 16 BACK THEN,
73
00:04:12,586 --> 00:04:17,734
AND I FELL MADLY IN
LOVE WITH LUCIA TORRES.
74
00:04:17,758 --> 00:04:19,736
SHE WAS PABLO
FUENTES' GIRLFRIEND.
75
00:04:19,760 --> 00:04:24,107
YOU JUST, YOU DIDN'T
FUCK WITH PABLO'S GIRL...
76
00:04:24,131 --> 00:04:25,475
BUT I DID.
77
00:04:25,499 --> 00:04:27,644
THIS IS ALICE, UH...
78
00:04:27,668 --> 00:04:28,644
PIE... PIESZECKI.
79
00:04:28,668 --> 00:04:30,546
I DON'T MISS IT.
80
00:04:30,570 --> 00:04:32,648
NO, THERE'S WAYS AND THINGS.
81
00:04:32,672 --> 00:04:33,916
[MARK]: I DON'T
KNOW IF THAT'S, LIKE,
82
00:04:33,940 --> 00:04:37,153
STRICTLY A LESBIAN
THING OR WHAT,
83
00:04:37,177 --> 00:04:39,956
BUT MAN, THESE GIRLS ARE ALL
UP ON ONE ANOTHER'S BUSINESS.
84
00:04:39,980 --> 00:04:42,225
THIS IS SO MUCH MORE
COMPLICATED THAN THAT.
85
00:04:42,249 --> 00:04:43,259
[MARK]: NOW, I KNOW...
86
00:04:43,283 --> 00:04:45,361
YEAH, YEAH, WHERE'S
THE FUCKING PUSSY?
87
00:04:45,385 --> 00:04:47,396
LOOK, THE HIDDEN
CAMERAS ARE STILL IN PLACE,
88
00:04:47,420 --> 00:04:49,933
SO I CAN GET MORE
FOOTAGE, BUT...
89
00:04:49,957 --> 00:04:50,900
I MEAN, ALREADY WHAT
I'VE SHOWN YOU HERE
90
00:04:50,924 --> 00:04:51,934
IS A BIG STEP UP
91
00:04:51,958 --> 00:04:53,336
FROM BARE-KNUCKLE
BACKYARD BRAWLS
92
00:04:53,360 --> 00:04:55,305
AND WILD WOMEN OF ENCINO.
93
00:04:55,329 --> 00:04:57,706
THIS COULD BE
REALLY HUGE FOR US.
94
00:04:57,730 --> 00:04:58,741
WHAT'S GREAT ABOUT THIS PROJECT
95
00:04:58,765 --> 00:05:00,009
IS IT'S NOT JUST ABOUT SEX.
96
00:05:00,033 --> 00:05:03,379
THESE WOMEN, THEY
HAVE A WAY OF LIFE,
97
00:05:03,403 --> 00:05:04,647
A CULTURE OF THEIR OWN,
98
00:05:04,671 --> 00:05:05,648
AND IT'S REVELATORY.
99
00:05:05,672 --> 00:05:07,249
IT'S ANTHROPOLOGICAL.
100
00:05:07,273 --> 00:05:08,752
IF WE JUST... IF
WE DO THIS RIGHT,
101
00:05:08,776 --> 00:05:10,875
THIS COULD SO EASILY
BE AT SUNDANCE.
102
00:05:12,879 --> 00:05:14,723
I'M PRAYING TO GOD
YOU'RE FUCKING KIDDING.
103
00:05:14,747 --> 00:05:17,060
GOMEY, MAN, GET MY BACK.
104
00:05:17,084 --> 00:05:18,795
YOU KNOW WHAT THIS MEANS TO ME.
105
00:05:18,819 --> 00:05:21,064
YEAH, I DO.
106
00:05:21,088 --> 00:05:22,665
EAT A DICK.
107
00:05:22,689 --> 00:05:25,001
LOOK.
108
00:05:25,025 --> 00:05:26,569
JUST FROM A MARKETING
PERSPECTIVE...
109
00:05:26,593 --> 00:05:28,972
LISTEN TO ME, WAYLAND.
110
00:05:28,996 --> 00:05:30,206
I'M THE MARKETER, OKAY?
111
00:05:30,230 --> 00:05:31,974
I KNOW OUR AUDIENCE.
112
00:05:31,998 --> 00:05:34,043
MEN, RED BLOODED,
113
00:05:34,067 --> 00:05:36,312
TESTOSTERONE-CRAZED AMERICAN MEN
114
00:05:36,336 --> 00:05:37,814
DO NOT GIVE A FUCK
115
00:05:37,838 --> 00:05:40,350
ABOUT SOME KIND OF
ANTHROPOLOGICAL BULLSHIT.
116
00:05:40,374 --> 00:05:43,842
WE WANT HOT LESBIAN
SEX, AND WE WANT IT NOW.
117
00:05:47,748 --> 00:05:49,792
YOU'RE IN DIRECT VIOLATION
OF YOUR CONTRACT, OKAY,
118
00:05:49,816 --> 00:05:52,461
AND I EXPECT YOU TO
RETURN EVERY PENNY
119
00:05:52,485 --> 00:05:53,996
OF THE MONEY I ADVANCED YOU.
120
00:05:54,020 --> 00:05:56,688
YOU HEAR WHAT I'M SAYING?
121
00:05:58,592 --> 00:06:00,770
SO HAVE YOU THOUGHT ABOUT IT?
122
00:06:00,794 --> 00:06:02,038
HAVE I THOUGHT ABOUT WHAT?
123
00:06:02,062 --> 00:06:04,240
[BOTH GIGGLE]
124
00:06:04,264 --> 00:06:07,811
ABOUT WHAT WE TALKED ABOUT.
125
00:06:07,835 --> 00:06:08,844
THE TOYS.
126
00:06:08,868 --> 00:06:11,381
OH, YOU MEAN THE SEX TOYS.
127
00:06:11,405 --> 00:06:12,904
MM-HMM.
128
00:06:15,242 --> 00:06:17,354
CAN I ASK YOU SOMETHING?
129
00:06:17,378 --> 00:06:18,354
YEAH,
130
00:06:18,378 --> 00:06:20,078
ASK AWAY.
131
00:06:23,450 --> 00:06:24,928
IS IT A BISEXUAL THING?
132
00:06:24,952 --> 00:06:27,129
YOU TRYING TO HAVE YOUR
CAKE AND EAT YOUR PUSSY, TOO?
133
00:06:27,153 --> 00:06:29,265
NO, IT'S NOT A BISEXUAL THING.
134
00:06:29,289 --> 00:06:31,133
OKAY, GOOD,
135
00:06:31,157 --> 00:06:32,135
BECAUSE, WAIT,
136
00:06:32,159 --> 00:06:33,903
I DON'T WANT TO
DO THAT WITH YOU.
137
00:06:33,927 --> 00:06:35,238
I MEAN, IF YOU'RE TRYING
TO MAKE ME INTO A MAN
138
00:06:35,262 --> 00:06:37,073
BECAUSE YOU THINK THAT
THERE'S SOMETHING MISSING
139
00:06:37,097 --> 00:06:38,307
THEN I WANT YOU
TO GO AHEAD... DANA,
140
00:06:38,331 --> 00:06:41,744
MANY BONA FIDE LESBIANS
FIND STRAPPING IT ON
141
00:06:41,768 --> 00:06:44,681
THE ULTIMATE WAY OF FUCKING.
142
00:06:44,705 --> 00:06:45,681
AND I THINK IT
WOULD BE REALLY HOT
143
00:06:45,705 --> 00:06:47,050
FOR YOU TO FUCK ME LIKE THAT.
144
00:06:47,074 --> 00:06:50,620
OKAY?
145
00:06:50,644 --> 00:06:52,622
[HELENA]: HOW DOES
IT COMPARE, HMM?
146
00:06:52,646 --> 00:06:54,557
PRIVATE EDUCATION, TRAVEL,
147
00:06:54,581 --> 00:06:57,326
FASCINATING LIFE EXPERIENCES...
148
00:06:57,350 --> 00:06:59,295
I JUST DON'T SEE
149
00:06:59,319 --> 00:07:01,798
HOW YOU ENVISION
ANY JUDGE OR JURY
150
00:07:01,822 --> 00:07:05,234
FINDING YOU THE SUPERIOR CHOICE.
151
00:07:05,258 --> 00:07:09,194
AS YOU WISH.
152
00:07:28,281 --> 00:07:29,561
HEY.
153
00:07:34,320 --> 00:07:35,440
HOW ARE WE THIS MORNING?
154
00:07:37,257 --> 00:07:38,257
I'M GOOD.
155
00:07:41,294 --> 00:07:43,706
I'M EXCITED ABOUT THE
ULTRASOUND THIS AFTERNOON.
156
00:07:43,730 --> 00:07:45,408
THAT'S RIGHT.
157
00:07:45,432 --> 00:07:47,677
WELL, JUST TELL ME A TIME.
158
00:07:47,701 --> 00:07:49,712
I'LL SWING BY THE
OFFICE AND PICK YOU UP.
159
00:07:49,736 --> 00:07:52,103
I'M GOING WITH BETTE, REMEMBER?
160
00:07:54,307 --> 00:07:55,952
OH, THAT'S RIGHT.
161
00:07:55,976 --> 00:08:00,556
OKAY, SO WHY DON'T YOU JUST
COME BY HERE AFTERWARDS.
162
00:08:00,580 --> 00:08:01,979
YEAH?
163
00:08:04,317 --> 00:08:06,663
WELL, DR. WILSON'S OFFICE IS
SO CLOSE TO MY APARTMENT.
164
00:08:06,687 --> 00:08:09,127
WHY DON'T YOU JUST COME TO ME?
165
00:08:11,992 --> 00:08:12,992
HELENA...
166
00:08:14,461 --> 00:08:17,073
LOOK, IT'S FINE, YOU KNOW?
167
00:08:17,097 --> 00:08:19,008
I'LL, UM...
168
00:08:19,032 --> 00:08:20,676
I'LL CALL YOU WHEN
I'M ON MY WAY OVER.
169
00:08:20,700 --> 00:08:22,245
WE'LL GO OUT FOR DINNER.
170
00:08:22,269 --> 00:08:23,269
OKAY?
171
00:08:28,608 --> 00:08:31,587
ANNIE WANTS TO SHOOT
HER OLD-HOLLYWOOD STYLE,
172
00:08:31,611 --> 00:08:33,856
AFTER LOUIS B. MAYER,
SOMETHING LIKE THAT.
173
00:08:33,880 --> 00:08:34,858
THEN YOU'RE GOING
TO GET HER READY
174
00:08:34,882 --> 00:08:36,392
FOR HER LUNCH
MEETING AT THE GRILL
175
00:08:36,416 --> 00:08:38,394
WITH THE WRITER OF
HER NEXT FEATURE.
176
00:08:38,418 --> 00:08:39,962
DO YOU MIND TELLING
ME WHO THIS IS?
177
00:08:39,986 --> 00:08:41,030
THE WRITER?
178
00:08:41,054 --> 00:08:42,831
NO, THE PERSON WHO HIRED ME.
179
00:08:42,855 --> 00:08:43,900
I WANT TO KNOW WHO IT IS.
180
00:08:43,924 --> 00:08:45,702
THE STORY'S ABOUT THE
MOST POWERFUL WOMAN
181
00:08:45,726 --> 00:08:47,069
IN HOLLYWOOD.
182
00:08:47,093 --> 00:08:48,570
[WOMAN]: YOU ARE BRILLIANT.
183
00:08:48,594 --> 00:08:50,573
I FUCKING LOVE THAT IDEA!
184
00:08:50,597 --> 00:08:51,774
I FUCKING LOVE YOU.
185
00:08:51,798 --> 00:08:53,009
I WANT TO FRENCH-KISS YOU,
186
00:08:53,033 --> 00:08:55,077
AND IF YOU WEREN'T
SUCH A FAGGOT,
187
00:08:55,101 --> 00:08:56,579
I'D FUCK YOU.
188
00:08:56,603 --> 00:08:59,082
WHEN IS BENJAMIN COMING IN?
189
00:08:59,106 --> 00:09:01,417
HE'S GOING TO CHECK
IN AT THE HOTEL,
190
00:09:01,441 --> 00:09:02,518
THEN HEAD OVER HERE.
191
00:09:02,542 --> 00:09:04,242
SO HE'S NOT STAYING WITH YOU?
192
00:09:06,647 --> 00:09:08,558
UM... BECAUSE HIS WIFE...
193
00:09:08,582 --> 00:09:10,993
IT'S NOT LIKE
194
00:09:11,017 --> 00:09:12,661
SHE'S GOING TO FIND OUT,
195
00:09:12,685 --> 00:09:16,131
BUT HE'S JUST...
196
00:09:16,155 --> 00:09:19,669
WHAT?
197
00:09:19,693 --> 00:09:21,204
I JUST DON'T WANT
YOU TO GET HURT.
198
00:09:21,228 --> 00:09:22,705
I'M NOT GOING TO GET HURT.
199
00:09:22,729 --> 00:09:26,476
I KNEW GOING IN
WHAT THE DEAL WAS,
200
00:09:26,500 --> 00:09:27,965
AND I'M FINE WITH THAT.
201
00:09:29,602 --> 00:09:31,547
YOU THINK I'M A
FUCK-UP, DON'T YOU?
202
00:09:31,571 --> 00:09:33,282
NO, I DO NOT. YES, YOU DO.
203
00:09:33,306 --> 00:09:34,617
I DO NOT THINK YOU'RE A FUCK-UP.
204
00:09:34,641 --> 00:09:35,618
I DON'T.
205
00:09:35,642 --> 00:09:37,486
I THINK YOU'RE AMAZING.
206
00:09:37,510 --> 00:09:39,589
I SEE HOW YOU'VE
TURNED YOUR LIFE AROUND,
207
00:09:39,613 --> 00:09:40,522
AND REALLY, I'M IN AWE
208
00:09:40,546 --> 00:09:42,025
OF HOW TOGETHER
YOU ARE THESE DAYS.
209
00:09:42,049 --> 00:09:43,726
I JUST KNOW THE SITUATION,
210
00:09:43,750 --> 00:09:45,628
AND NO MATTER WHAT,
211
00:09:45,652 --> 00:09:47,430
I MEAN, THERE'S ALWAYS
SOMEONE WHO GETS HURT,
212
00:09:47,454 --> 00:09:49,232
AND I JUST DON'T
WANT IT TO BE YOU.
213
00:09:49,256 --> 00:09:51,466
HE'S NOT ON TOUR NOW.
214
00:09:51,490 --> 00:09:53,925
HE'S JUST COMING TO SEE ME.
215
00:09:55,962 --> 00:09:58,474
WELL, HE'S OBVIOUSLY
CRAZY ABOUT YOU.
216
00:09:58,498 --> 00:09:59,742
I'M PREPARING
217
00:09:59,766 --> 00:10:03,379
THIS VERY SPECIAL
DINNER FOR HIM.
218
00:10:03,403 --> 00:10:07,016
LARA HAS ORDERED
LOBSTERS FROM MAINE.
219
00:10:07,040 --> 00:10:08,817
BENJAMIN LOVES HIM SOME LOBSTER.
220
00:10:08,841 --> 00:10:10,853
[CHUCKLES]
221
00:10:10,877 --> 00:10:13,155
WELL, YOU JUST...
222
00:10:13,179 --> 00:10:16,325
YOU LOOK OUT AFTER
YOURSELF, OKAY?
223
00:10:16,349 --> 00:10:18,327
I LOVE YOU.
224
00:10:18,351 --> 00:10:20,095
OH, WOULD YOU BRING ME BACK
225
00:10:20,119 --> 00:10:22,164
ONE OF THOSE X-RAY
PICTURES OF THE BABY?
226
00:10:22,188 --> 00:10:23,165
PLEASE?
227
00:10:23,189 --> 00:10:24,934
OKAY.
228
00:10:24,958 --> 00:10:26,269
I LOVE YOU.
229
00:10:26,293 --> 00:10:27,536
THANKS FOR BREAKFAST.
230
00:10:27,560 --> 00:10:28,871
YOU'RE WELCOME.
231
00:10:28,895 --> 00:10:32,608
COVER OF THE NEW
YORK TIMES MAGAZINE.
232
00:10:32,632 --> 00:10:33,910
[LAUGHS]
233
00:10:33,934 --> 00:10:35,277
PRETTY GOOD, HUH, SHANE?
234
00:10:35,301 --> 00:10:37,902
YEAH, IT'S PRETTY GREAT.
235
00:10:40,874 --> 00:10:42,351
I DON'T KNOW WHY YOU
REQUESTED ME, THOUGH.
236
00:10:42,375 --> 00:10:43,819
YOU DO HAIR, DON'T YOU?
237
00:10:43,843 --> 00:10:45,687
APPARENTLY
238
00:10:45,711 --> 00:10:47,378
THAT'S YOUR LIFE'S AMBITION.
239
00:10:48,849 --> 00:10:49,825
DON'T FUCK WITH ME, VERONICA.
240
00:10:49,849 --> 00:10:51,326
HOW AM I FUCKING WITH YOU
241
00:10:51,350 --> 00:10:54,297
WHEN I OFFER YOU THE
WORLD ON A SILVER PLATTER?
242
00:10:54,321 --> 00:10:55,297
WHAT'S SO WRONG
243
00:10:55,321 --> 00:10:57,333
WITH SEEING THE
POTENTIAL IN SOMEBODY
244
00:10:57,357 --> 00:10:58,334
AND GIVING THEM A CHANCE
245
00:10:58,358 --> 00:10:59,638
TO MAKE SOMETHING OF THEMSELVES?
246
00:11:01,628 --> 00:11:03,873
DID I UNDERESTIMATE YOU, SHANE,
247
00:11:03,897 --> 00:11:06,575
OR DID I JUST MISTAKE YOU
FOR A PERSON OF SUBSTANCE?
248
00:11:06,599 --> 00:11:09,245
NO.
249
00:11:09,269 --> 00:11:11,814
I THINK YOU MISTOOK ME FOR
ONE OF YOUR LITTLE TRICKS
250
00:11:11,838 --> 00:11:13,348
WHO WOULD LET
YOU SLAP HER AROUND
251
00:11:13,372 --> 00:11:14,584
AND BE GRATEFUL
FOR THE PRIVILEGE
252
00:11:14,608 --> 00:11:15,973
OF TAKING YOUR SHIT.
253
00:11:18,011 --> 00:11:20,689
ARE WE GETTING TO
SOME CORE ISSUES, SHANE?
254
00:11:20,713 --> 00:11:21,690
POOR SHANE.
255
00:11:21,714 --> 00:11:23,659
FUCK YOU.
256
00:11:23,683 --> 00:11:25,661
WHAT ABOUT THE
POSSIBILITY THAT I'M RIGHT
257
00:11:25,685 --> 00:11:28,096
ABOUT YOU?
258
00:11:28,120 --> 00:11:31,089
THAT YOU REALLY ARE BETTER
THAN THIS LIFE YOU'RE LIVING?
259
00:11:34,861 --> 00:11:36,004
VERONICA,
260
00:11:36,028 --> 00:11:38,841
LISTEN TO WHAT
I'M SAYING TO YOU.
261
00:11:38,865 --> 00:11:40,276
I HAVE NO MAGIC,
262
00:11:40,300 --> 00:11:42,345
AND THERE IS NO MOJO,
263
00:11:42,369 --> 00:11:43,913
THAT YOU THINK
YOU'RE LOOKING FOR,
264
00:11:43,937 --> 00:11:45,781
IT DOESN'T EXIST.
265
00:11:45,805 --> 00:11:47,304
OKAY?
266
00:11:49,643 --> 00:11:53,422
THEN WHY DON'T YOU
DO MY FUCKING HAIR?
267
00:11:53,446 --> 00:11:55,513
NO, THANK YOU.
268
00:12:07,894 --> 00:12:08,871
HELLO.
269
00:12:08,895 --> 00:12:10,807
BURR WILL BE HERE IN A MINUTE.
270
00:12:10,831 --> 00:12:11,974
HAVE A SEAT.
271
00:12:11,998 --> 00:12:13,609
I'D THOUGHT THAT HE'D FIRED ME.
272
00:12:13,633 --> 00:12:14,710
I WOULDN'T LET HIM.
273
00:12:14,734 --> 00:12:17,212
YOU'RE TOO GOOD FOR ONE ANOTHER.
274
00:12:17,236 --> 00:12:18,214
ANOTHER DRINK.
275
00:12:18,238 --> 00:12:19,782
MORE TWIST, LESS ICE.
276
00:12:19,806 --> 00:12:21,183
CAN I HAVE A CHARDONNAY, PLEASE?
277
00:12:21,207 --> 00:12:23,486
YOU ARE A COMPULSIVE EXCAVATOR
278
00:12:23,510 --> 00:12:25,588
OF YOUR OWN
EMOTIONAL NAVEL LINT,
279
00:12:25,612 --> 00:12:28,824
A NIT-PICKING
OBSESSIVE TRUTH-TELLER,
280
00:12:28,848 --> 00:12:31,293
AND BURR COULD STAND A
BIT OF LITERARY PEDICULOSIS.
281
00:12:31,317 --> 00:12:32,261
EW.
282
00:12:32,285 --> 00:12:33,495
HMM.
283
00:12:33,519 --> 00:12:35,430
DOES THAT HIT A LITTLE
TOO CLOSE TO HOME?
284
00:12:35,454 --> 00:12:38,100
ARE WE SELF-LOATHING,
BODY MUTILATORS AS WELL?
285
00:12:38,124 --> 00:12:39,268
OF COURSE.
286
00:12:39,292 --> 00:12:40,702
I CAN'T WAIT TO READ ABOUT THAT
287
00:12:40,726 --> 00:12:41,671
IN ONE OF YOUR STORIES.
288
00:12:41,695 --> 00:12:43,606
I HOPE YOU'RE NOT A CUTTER.
289
00:12:43,630 --> 00:12:44,439
LISTEN, JENNY.
290
00:12:44,463 --> 00:12:45,608
YOU ACTUALLY HAVE A GIFT
291
00:12:45,632 --> 00:12:48,711
TO PORTRAY THE
DETAILS OF A LIFE LIVED.
292
00:12:48,735 --> 00:12:50,746
I THINK NON-FICTION MAY
END UP BEING YOUR METIER.
293
00:12:50,770 --> 00:12:54,650
IT'S WHY I WANT YOU
TO WORK WITH BURR.
294
00:12:54,674 --> 00:12:56,251
I DON'T WANT TO.
295
00:12:56,275 --> 00:12:57,753
YOU NEED TO GET HIM
TO TELL YOU STORIES.
296
00:12:57,777 --> 00:12:58,554
I DON'T LIKE HIM.
297
00:12:58,578 --> 00:12:59,488
HE'S A HOMOPHOBE.
298
00:12:59,512 --> 00:13:00,589
[BURR]: HI.
299
00:13:00,613 --> 00:13:01,590
HI. HI, DARLING.
300
00:13:01,614 --> 00:13:02,592
HOW ARE YOU?
301
00:13:02,616 --> 00:13:03,459
GOOD. HOW ARE YOU? GOOD.
302
00:13:03,483 --> 00:13:04,460
HELLO.
303
00:13:04,484 --> 00:13:06,028
YOU REMEMBER JENNY SCHECTER.
304
00:13:06,052 --> 00:13:07,630
I DO.
305
00:13:07,654 --> 00:13:08,630
APPARENTLY
306
00:13:08,654 --> 00:13:11,134
WE'RE DESTINED FOR ONE ANOTHER.
307
00:13:12,025 --> 00:13:13,892
THANK YOU, SUZIE.
308
00:13:17,297 --> 00:13:18,440
ALL RIGHT, WHAT DO YOU THINK?
309
00:13:18,464 --> 00:13:19,441
[WOMAN]: WELL, HERE'S A GOOD WAY
310
00:13:19,465 --> 00:13:20,810
TO THINK ABOUT IT.
311
00:13:20,834 --> 00:13:22,645
AN INCH IN DIAMETER IS
TWO FINGERS INSIDE OF YOU.
312
00:13:22,669 --> 00:13:23,846
AN INCH AND A HALF
313
00:13:23,870 --> 00:13:25,614
IS THREE FINGERS INSIDE OF YOU.
314
00:13:25,638 --> 00:13:27,516
THE SILICONE ONES ARE
EASIEST TO STERILIZE,
315
00:13:27,540 --> 00:13:29,385
AND SO YOU CAN SHARE.
316
00:13:29,409 --> 00:13:32,955
SHARE. HOW DO
YOU STERILIZE THEM?
317
00:13:32,979 --> 00:13:34,790
BUT DON'T FORGET TO TAKE IT
OUT BEFORE THE MAID COMES.
318
00:13:34,814 --> 00:13:37,326
OH, LOOK, THIS LOOKS FUN.
319
00:13:37,350 --> 00:13:39,395
OH, NOW, THAT'S VERY POPULAR.
320
00:13:39,419 --> 00:13:40,696
EVERYONE'S A WINNER.
321
00:13:40,720 --> 00:13:41,697
NO?
322
00:13:41,721 --> 00:13:42,765
YEAH, I KIND OF WANT YOU TO...
323
00:13:42,789 --> 00:13:44,199
YEAH. YOU KNOW? ANYWAY.
324
00:13:44,223 --> 00:13:46,468
I DON'T EVEN KNOW
WHERE TO START.
325
00:13:46,492 --> 00:13:49,872
THERE ARE SO
MANY SHAPES, SIZES...
326
00:13:49,896 --> 00:13:51,974
WELL, ARE YOU INTO
SEMI-REALISTIC, REALISTIC?
327
00:13:51,998 --> 00:13:53,976
THESE ONES HERE,
328
00:13:54,000 --> 00:13:54,911
CHAMPLETTE, LEO, AND RANDY,
329
00:13:54,935 --> 00:13:56,045
ARE ALL THE SEMIS,
330
00:13:56,069 --> 00:13:57,813
AND UP HERE, KING KONG
AND TYRANNOSAURUS REX.
331
00:13:57,837 --> 00:13:59,782
THESE ARE VERY
LIKE THE REAL THING,
332
00:13:59,806 --> 00:14:00,849
AND THEY COME IN COLORS.
333
00:14:00,873 --> 00:14:03,018
THERE'S BLACK,
PURPLE, BLUE, TEAL, RED,
334
00:14:03,042 --> 00:14:04,920
HOT PINK, CHOCOLATE,
AND VANILLA.
335
00:14:04,944 --> 00:14:06,689
THERE'S COMBINATION
MARBLE-SWIRL.
336
00:14:06,713 --> 00:14:07,690
THERE'S DISCO GLITTER,
337
00:14:07,714 --> 00:14:09,825
AND KING KONG AND
TYRANNOSAURUS REX
338
00:14:09,849 --> 00:14:11,493
BOTH COME IN CAMOUFLAGE.
339
00:14:11,517 --> 00:14:13,729
IN CASE YOU'RE
SCREWING IN A WAR ZONE.
340
00:14:13,753 --> 00:14:14,530
OH, LOOK!
341
00:14:14,554 --> 00:14:16,766
HAIRY BALLS.
342
00:14:16,790 --> 00:14:17,766
OH, THAT'S JUST WRONG.
343
00:14:17,790 --> 00:14:18,701
IF YOU LOOK AT THE BASE,
344
00:14:18,725 --> 00:14:20,369
THEY COME WITH A SUCTION CUP,
345
00:14:20,393 --> 00:14:21,871
AND THAT WAY IT MAKES
THEM EASY TO ATTACH
346
00:14:21,895 --> 00:14:23,026
TO THE HOTEL WINDOW.
347
00:14:25,631 --> 00:14:27,264
OH, LOOK.
348
00:14:29,302 --> 00:14:30,812
[SWAGGERING]: HEY.
349
00:14:30,836 --> 00:14:33,816
NO, THAT'S A BUTT PLUG.
350
00:14:33,840 --> 00:14:34,817
THE BOYS LIKE THOSE,
351
00:14:34,841 --> 00:14:35,817
BECAUSE THEY GET RIGHT INSIDE
352
00:14:35,841 --> 00:14:36,819
AND TICKLE THE PROSTATE.
353
00:14:36,843 --> 00:14:37,920
ALTHOUGH THE GIRLS
DO LIKE THEM, TOO.
354
00:14:37,944 --> 00:14:39,622
IF YOU USE IT WITH A HARNESS,
355
00:14:39,646 --> 00:14:41,123
YOU CAN DETACH THE DILDO,
356
00:14:41,147 --> 00:14:44,861
LEAVE THE BUTT PLUG INSIDE
WHILE YOU DO OTHER THINGS.
357
00:14:44,885 --> 00:14:46,195
WHAT, LIKE, THE DISHES?
358
00:14:46,219 --> 00:14:47,195
BY THE WAY,
359
00:14:47,219 --> 00:14:48,197
WE HAVE A GREAT NEW LUBE.
360
00:14:48,221 --> 00:14:49,231
IT JUST CAME IN TODAY.
361
00:14:49,255 --> 00:14:51,867
I HIGHLY RECOMMEND THIS.
362
00:14:51,891 --> 00:14:53,202
OH, YOU KNOW,
363
00:14:53,226 --> 00:14:55,404
I THINK I'M ALLERGIC
TO THAT KIND, SO...
364
00:14:55,428 --> 00:14:56,538
STRAWBERRIES. WHAT?
365
00:14:56,562 --> 00:14:58,174
WHAT HAVEN'T YOU DONE?
366
00:14:58,198 --> 00:15:00,409
I HAVEN'T DONE LOTS OF THINGS.
367
00:15:00,433 --> 00:15:02,993
IF YOU NEED ANY HELP,
JUST GIVE ME A SHOUT.
368
00:15:05,738 --> 00:15:06,949
OH, SHIT.
369
00:15:06,973 --> 00:15:08,584
IT'S MELANIE CAPLAN.
370
00:15:08,608 --> 00:15:09,851
[PULLS ZIPPER]
371
00:15:09,875 --> 00:15:10,853
SO?
372
00:15:10,877 --> 00:15:12,888
SO...
373
00:15:12,912 --> 00:15:14,579
WHY DON'T WE GET A COCK RING?
374
00:15:31,431 --> 00:15:33,142
IS THAT OUR BABY?
375
00:15:33,166 --> 00:15:34,810
THAT'S YOUR BABY,
376
00:15:34,834 --> 00:15:37,813
AND THOSE ARE HER FINGERS.
377
00:15:37,837 --> 00:15:40,750
VERY WELL FORMED, YEAH.
378
00:15:40,774 --> 00:15:43,340
ISN'T SHE AMAZING?
379
00:15:45,044 --> 00:15:46,688
OH, IT'S LIKE SHE'S
WAVING AT US.
380
00:15:46,712 --> 00:15:48,057
LOOK.
381
00:15:48,081 --> 00:15:50,547
SHE'S SHOWING YOU HER PROFILE.
382
00:16:02,128 --> 00:16:03,306
[BURR]: SO I GUESS
I'M BEING DRAGGED,
383
00:16:03,330 --> 00:16:07,175
KICKING AND SCREAMING,
TO A PLACE OF TOLERANCE.
384
00:16:07,199 --> 00:16:10,012
I DON'T REALLY LIKE THE
IDEA OF BEING TOLERATED.
385
00:16:10,036 --> 00:16:11,547
WHAT'S WRONG WITH
BEING TOLERATED, JENNY?
386
00:16:11,571 --> 00:16:13,949
IT'S BETTER THAN BEING SPAT ON.
387
00:16:13,973 --> 00:16:15,718
THAT THERE'S
SOMETHING UNACCEPTABLE
388
00:16:15,742 --> 00:16:17,620
ABOUT MY BEING GAY.
389
00:16:17,644 --> 00:16:18,954
FRANKLY,
390
00:16:18,978 --> 00:16:20,656
I THINK IT'S PERFECTLY
ACCEPTABLE
391
00:16:20,680 --> 00:16:21,790
FOR A GIRL THESE DAYS.
392
00:16:21,814 --> 00:16:23,526
MEN ACTUALLY FIND IT HOT.
393
00:16:23,550 --> 00:16:25,327
WHAT'S WITH THE
DOUBLE STANDARD, BURR?
394
00:16:25,351 --> 00:16:28,130
OH, DON'T BE A PRICK, CHARLOTTE.
395
00:16:28,154 --> 00:16:29,865
LOOK AT ANY MALE ACTOR TODAY.
396
00:16:29,889 --> 00:16:31,133
THERE'S NOT A
SELF-PROCLAIMED QUEER
397
00:16:31,157 --> 00:16:32,535
IN THE BUNCH.
398
00:16:32,559 --> 00:16:34,236
PLEASE, DOES ANYBODY
GIVE A SHIT ANYMORE?
399
00:16:34,260 --> 00:16:35,237
THEY GIVE A SHIT.
400
00:16:35,261 --> 00:16:36,838
DO YOU HONESTLY THINK
401
00:16:36,862 --> 00:16:38,840
A STUDIO'S GOING TO PAY
A GUY WHAT THEY PAY ME
402
00:16:38,864 --> 00:16:40,209
IF HIS FANS THINK HE'S A FAGGOT?
403
00:16:40,233 --> 00:16:42,111
ALL THE MILLIONS YOU'VE
COLLECTED OVER THE YEARS,
404
00:16:42,135 --> 00:16:43,512
WHAT HAVE YOU GOT TO LOSE?
405
00:16:43,536 --> 00:16:46,014
I WAS SPEAKING
HYPOTHETICALLY, DARLING.
406
00:16:46,038 --> 00:16:48,216
WE'RE NOT REALLY
TALKING ABOUT ME.
407
00:16:48,240 --> 00:16:51,053
OH, I THOUGHT WE WERE.
408
00:16:51,077 --> 00:16:52,588
DON'T TWIST MY WORDS, CHARLOTTE.
409
00:16:52,612 --> 00:16:56,826
I KNOW YOU TAKE PLEASURE IN
IT, BUT BE WARNED, SWEETHEART.
410
00:16:56,850 --> 00:16:58,561
DO YOU KNOW HOW
MANY LAWSUITS I'VE WON
411
00:16:58,585 --> 00:16:59,928
AGAINST PEOPLE WHO'VE
TRIED TO ACCUSE ME
412
00:16:59,952 --> 00:17:01,497
OF WHAT YOU JUST ACCUSED ME OF?
413
00:17:01,521 --> 00:17:03,354
ARE YOU THREATENING ME?
414
00:17:05,658 --> 00:17:06,635
I THINK YOU MIGHT WANT
415
00:17:06,659 --> 00:17:07,803
TO ORGANIZE YOUR FRIENDS
416
00:17:07,827 --> 00:17:09,137
TO FORM A LITTLE
LEGAL DEFENSE FUND
417
00:17:09,161 --> 00:17:12,107
FOR THEIR BELOVED PROFESSOR.
418
00:17:12,131 --> 00:17:14,331
FUCK OFF, CHARLOTTE.
419
00:17:20,339 --> 00:17:21,317
HEY.
420
00:17:21,341 --> 00:17:22,418
HEY.
421
00:17:22,442 --> 00:17:24,253
I WANT TO TELL YOU
422
00:17:24,277 --> 00:17:25,954
THAT I AGREE WITH
WHAT YOU SAID, MAN.
423
00:17:25,978 --> 00:17:26,955
YOU DO, HUH?
424
00:17:26,979 --> 00:17:27,789
I DO.
425
00:17:27,813 --> 00:17:28,957
BECAUSE THE THING IS,
426
00:17:28,981 --> 00:17:31,427
IF SOME MALE ACTOR
WERE TO COME OUT
427
00:17:31,451 --> 00:17:32,961
AND SAY, "FUCK, YEAH. I'M GAY,"
428
00:17:32,985 --> 00:17:35,397
THAT WOULD BE, LIKE, A
HUGE GIFT TO THE WORLD,
429
00:17:35,421 --> 00:17:37,332
BUT IT WOULD DESTROY
THEIR FUCKING CAREER.
430
00:17:37,356 --> 00:17:40,068
EXACTLY RIGHT.
431
00:17:40,092 --> 00:17:41,303
AND DON'T WORRY ABOUT
CHARLOTTE, YOU KNOW?
432
00:17:41,327 --> 00:17:43,872
SHE'S AN ASSHOLE.
433
00:17:43,896 --> 00:17:45,796
SHE'S NOT GOD, YOU KNOW?
434
00:17:47,666 --> 00:17:48,844
I WOULDN'T BE SO SURE
ABOUT THAT, JENNY.
435
00:17:48,868 --> 00:17:50,446
[LAUGHS]
436
00:17:50,470 --> 00:17:52,047
JENNY, IF YOU STILL FEEL
LIKE WORKING ON THE BOOK,
437
00:17:52,071 --> 00:17:54,271
BE AT MY HOUSE
TOMORROW NIGHT AT 8:30.
438
00:18:07,654 --> 00:18:08,854
THANK YO
439
00:18:10,857 --> 00:18:12,568
THAT WAS REALLY NICE.
440
00:18:12,592 --> 00:18:15,737
THANK YOU.
441
00:18:15,761 --> 00:18:18,474
I REALLY LOVED
BEING THERE WITH YOU.
442
00:18:18,498 --> 00:18:20,398
I LOVED IT MORE
THAN YOU CAN IMAGINE.
443
00:18:23,269 --> 00:18:25,402
COME HERE.
444
00:18:38,351 --> 00:18:40,184
YOU FEEL SO GOOD.
445
00:18:41,987 --> 00:18:44,255
YOU SMELL GOOD.
446
00:20:07,039 --> 00:20:08,972
[♪♪♪]
447
00:20:46,111 --> 00:20:47,844
TOUCH ME HERE.
448
00:20:49,748 --> 00:20:51,315
FEEL THIS.
449
00:20:53,119 --> 00:20:55,051
TOUCH ME HERE.
450
00:20:57,690 --> 00:20:59,735
OH, MY GOD.
451
00:20:59,759 --> 00:21:02,260
OH, MY FUCKING GOD.
452
00:21:04,097 --> 00:21:06,577
ARE YOU SURE IT'S OKAY?
453
00:22:01,788 --> 00:22:03,587
[GASPING]
454
00:22:35,088 --> 00:22:38,066
I DON'T KNOW, BABE.
455
00:22:38,090 --> 00:22:39,501
I THINK IT LOOKS
LITTLE DYKE-ISH.
456
00:22:39,525 --> 00:22:41,036
WELCOME TO THE CLUB.
457
00:22:41,060 --> 00:22:42,337
[CHUCKLES]
458
00:22:42,361 --> 00:22:44,806
I'M JOKING. I LIKE IT A LOT.
459
00:22:44,830 --> 00:22:46,675
SO, WHAT THE FUCK DO YOU THINK
THAT BITCH WANTED FROM YOU?
460
00:22:46,699 --> 00:22:47,843
OH, I DON'T KNOW.
461
00:22:47,867 --> 00:22:48,910
SHE'S A FUCKING FREAK.
462
00:22:48,934 --> 00:22:49,945
DAMN, YOU KNOW,
463
00:22:49,969 --> 00:22:52,447
I WAS JUST ABOUT TO
ASK YOU TO HOOK IT UP.
464
00:22:52,471 --> 00:22:55,417
YOU WERE GOING TO ASK
ME TO CALL VERONICA BLOOM?
465
00:22:55,441 --> 00:22:56,685
I HAD A MINUTE OF THINKING
466
00:22:56,709 --> 00:23:00,622
IF SHE SAW MY PROJECT,
SHE MIGHT BE INTO IT.
467
00:23:00,646 --> 00:23:02,591
MARK, WHY DIDN'T
YOU SAY SOMETHING?
468
00:23:02,615 --> 00:23:03,591
NO, IT WAS JUST A
FLEETING THOUGHT.
469
00:23:03,615 --> 00:23:04,726
DON'T WORRY ABOUT IT.
470
00:23:04,750 --> 00:23:06,395
DO YOU HAVE ANY OTHER LEADS?
471
00:23:06,419 --> 00:23:08,130
UH, NO.
472
00:23:08,154 --> 00:23:09,431
NO? MM-MM.
473
00:23:09,455 --> 00:23:11,800
WELL, LOOK, MAYBE I...
474
00:23:11,824 --> 00:23:13,702
MAYBE I'LL GET ANOTHER
JOB WITH A STUDIO HEAD
475
00:23:13,726 --> 00:23:16,705
OR MAYBE I ACTUALLY
WILL HAVE A NEXT JOB.
476
00:23:16,729 --> 00:23:18,039
YEAH, YOU AND ME BOTH.
477
00:23:18,063 --> 00:23:19,040
[KNOCKING]
478
00:23:19,064 --> 00:23:20,764
YEAH?
479
00:23:22,468 --> 00:23:24,179
HEY.
480
00:23:24,203 --> 00:23:25,247
HEY.
481
00:23:25,271 --> 00:23:26,514
HI.
482
00:23:26,538 --> 00:23:27,904
JENNY'S AT WORK.
483
00:23:29,975 --> 00:23:31,887
YEAH, SHE'S WAITRESSING.
484
00:23:31,911 --> 00:23:34,256
YEAH.
485
00:23:34,280 --> 00:23:36,191
SO, UH...
486
00:23:36,215 --> 00:23:38,893
OH, UM, I JUST WANTED
487
00:23:38,917 --> 00:23:41,552
TO TALK TO YOU ABOUT
SOME STUFF, UM...
488
00:23:44,222 --> 00:23:45,267
YOU'RE CUTTING HAIR.
489
00:23:45,291 --> 00:23:47,069
YES, I AM.
490
00:23:47,093 --> 00:23:48,670
YOU KNOW WHAT?
491
00:23:48,694 --> 00:23:53,475
I HAVE GOT A TON OF WORK I
NEED TO BE DOING RIGHT NOW.
492
00:23:53,499 --> 00:23:55,277
UM, I'LL CLEAN THIS UP WHEN I...
493
00:23:55,301 --> 00:23:56,378
NO, I HAVE IT. I HAVE IT.
494
00:23:56,402 --> 00:23:57,378
NO, I GOT IT.
495
00:23:57,402 --> 00:23:58,380
OKAY.
496
00:23:58,404 --> 00:23:59,480
HEY.
497
00:23:59,504 --> 00:24:00,048
HI.
498
00:24:00,072 --> 00:24:01,783
HOW ARE YOU?
499
00:24:01,807 --> 00:24:02,884
THANK YOU.
500
00:24:02,908 --> 00:24:04,241
YEAH.
501
00:24:06,579 --> 00:24:07,744
WHAT'S UP?
502
00:24:11,784 --> 00:24:14,384
[HEART BEATING]
503
00:24:31,337 --> 00:24:33,515
[HEARTBEAT RATE INCREASES]
504
00:24:33,539 --> 00:24:34,682
SHANE. IT'S...
505
00:24:34,706 --> 00:24:36,051
I FEEL LIKE
506
00:24:36,075 --> 00:24:37,152
THERE'S SOMETHING
GOING ON WITH YOU,
507
00:24:37,176 --> 00:24:39,821
AND I WOULD LIKE
TO KNOW WHAT IT IS.
508
00:24:39,845 --> 00:24:41,278
LOOK, I JUST...
509
00:24:43,949 --> 00:24:45,782
[SIGHS]
510
00:24:48,153 --> 00:24:50,098
OH, FUCK, YOU KNOW, IT'S...
511
00:24:50,122 --> 00:24:51,900
IT'S HARD FOR ME
512
00:24:51,924 --> 00:24:54,084
TO HAVE YOU AND JENNY
IN MY FACE ALL THE TIME.
513
00:24:55,294 --> 00:24:56,672
YOU'RE HAVING A
HARD TIME WITH IT?
514
00:24:56,696 --> 00:24:58,073
I'M HAPPY FOR YOU GUYS.
515
00:24:58,097 --> 00:25:02,477
IT LOOKS LIKE YOU TWO ARE
HAVING A BLAST TOGETHER.
516
00:25:02,501 --> 00:25:05,647
THAT'S A VERY GOOD THING.
517
00:25:05,671 --> 00:25:07,671
THEN WHY WOULD IT
BE SO HARD FOR YOU?
518
00:25:13,612 --> 00:25:14,589
NOW, SHANE,
519
00:25:14,613 --> 00:25:17,013
I WANT YOU TO LOOK AT ME.
520
00:25:20,686 --> 00:25:22,097
I KNOW HOW HARD YOU WORK
521
00:25:22,121 --> 00:25:24,832
TO KEEP YOURSELF AT A DISTANCE
522
00:25:24,856 --> 00:25:25,834
FROM EVERYONE
ELSE ON THE PLANET,
523
00:25:25,858 --> 00:25:28,670
BUT IT'S NOT WORKING
FOR YOU ANYMORE.
524
00:25:28,694 --> 00:25:29,938
IT'S WORKING FINE.
525
00:25:29,962 --> 00:25:31,173
NO, IT'S NOT.
526
00:25:31,197 --> 00:25:33,708
IT'S NOT, BECAUSE OF THIS.
527
00:25:33,732 --> 00:25:34,843
OKAY?
528
00:25:34,867 --> 00:25:36,700
DO YOU FEEL THIS?
529
00:25:38,571 --> 00:25:40,014
MOST PEOPLE DON'T HAVE THIS.
530
00:25:40,038 --> 00:25:42,439
THIS IS RARE.
531
00:25:46,345 --> 00:25:47,989
SO WHAT?
532
00:25:48,013 --> 00:25:50,559
THAT'S RIGHT.
533
00:25:50,583 --> 00:25:52,194
SO WHAT?
534
00:25:52,218 --> 00:25:55,530
SO WHAT, IF NOTHING
EVER COMES OUT OF THIS?
535
00:25:55,554 --> 00:25:57,799
SO WHAT, IF YOU'LL
NEVER ACT ON IT?
536
00:25:57,823 --> 00:25:59,034
YOU ARE SO CONVINCED
537
00:25:59,058 --> 00:26:01,136
THAT HAVING A
RELATIONSHIP NEAR YOU
538
00:26:01,160 --> 00:26:04,272
IS GOING TO KILL YOU.
539
00:26:04,296 --> 00:26:06,897
BECAUSE IT WILL.
540
00:26:11,070 --> 00:26:13,147
AND THAT'S WHY I'M WITH JENNY.
541
00:26:13,171 --> 00:26:14,716
IT WORKS BECAUSE SHE AND I
542
00:26:14,740 --> 00:26:16,151
ARE BOTH BIDING OUR TIME,
543
00:26:16,175 --> 00:26:18,741
WAITING FOR THE REAL
DEAL TO COME ALONG.
544
00:26:22,781 --> 00:26:25,560
YEAH.
545
00:26:25,584 --> 00:26:27,563
YOU DON'T THINK YOU AND
JENNY ARE THE REAL DEAL?
546
00:26:27,587 --> 00:26:29,331
NO.
547
00:26:29,355 --> 00:26:31,466
JENNY WOULDN'T KNOW
WHAT THE REAL DEAL WAS
548
00:26:31,490 --> 00:26:33,234
IF IT BIT HER IN THE ASS.
549
00:26:33,258 --> 00:26:37,672
SHE IS SO LOST IN
HER OWN DARKNESS.
550
00:26:37,696 --> 00:26:40,609
I THINK SHE LIKES IT IN THERE.
551
00:26:40,633 --> 00:26:43,144
[HEARTBEAT POUNDING]
552
00:26:43,168 --> 00:26:44,913
BUT DO YOU KNOW
WHAT'S FUCKED UP?
553
00:26:44,937 --> 00:26:49,618
IS THAT YOU AND I KNOW
WHAT THE REAL DEAL IS.
554
00:26:49,642 --> 00:26:53,777
WE SAW IT THE FIRST TIME
WE LAID EYES ON EACH OTHER.
555
00:27:04,056 --> 00:27:06,268
BETTE, I JUST WANTED
TO TELL YOU THAT...
556
00:27:06,292 --> 00:27:07,635
I KNOW.
557
00:27:07,659 --> 00:27:09,103
I KNOW.
558
00:27:09,127 --> 00:27:11,239
THIS DOESN'T MEAN
WE'RE BACK TOGETHER.
559
00:27:11,263 --> 00:27:12,543
I KNOW.
560
00:27:14,533 --> 00:27:17,768
LET'S NOT LET IT
MESS EVERYTHING UP.
561
00:27:20,672 --> 00:27:22,083
IT WON'T.
562
00:27:22,107 --> 00:27:24,152
I PROMISE.
563
00:27:24,176 --> 00:27:26,287
WE'RE DOING GREAT.
564
00:27:26,311 --> 00:27:29,991
YEAH, GREAT.
565
00:27:30,015 --> 00:27:30,992
OKAY.
566
00:27:31,016 --> 00:27:31,993
OKAY.
567
00:27:32,017 --> 00:27:33,127
BYE.
568
00:27:33,151 --> 00:27:34,585
BYE.
569
00:27:46,398 --> 00:27:49,433
YOU'RE NOT LIVING
YOUR LIFE, SHANE...
570
00:27:52,171 --> 00:27:55,105
AND IF YOU DON'T
TAKE ANY RISKS...
571
00:27:58,778 --> 00:28:02,845
THEN YOU MIGHT AS WELL BE DEAD.
572
00:28:06,352 --> 00:28:09,753
FUCK ME.
573
00:28:12,091 --> 00:28:13,068
HI.
574
00:28:13,092 --> 00:28:15,025
HEY, UM, COME IN.
575
00:28:19,131 --> 00:28:20,842
ARE YOU...
576
00:28:20,866 --> 00:28:22,477
YOU'RE NOT READY TO GO?
577
00:28:22,501 --> 00:28:23,678
DO YOU MIND
578
00:28:23,702 --> 00:28:25,947
IF WE JUST STAYED HERE
TONIGHT AND ORDERED IN?
579
00:28:25,971 --> 00:28:28,383
I JUST... I DON'T FEEL
LIKE BEING OUT IN PUBLIC.
580
00:28:28,407 --> 00:28:30,051
WELL, WE COULD GO
BACK TO MY PLACE.
581
00:28:30,075 --> 00:28:32,242
IS THERE A PROBLEM
WITH STAYING HERE?
582
00:28:34,213 --> 00:28:36,023
NO. NO, THERE'S...
583
00:28:36,047 --> 00:28:38,292
NO PROBLEM.
584
00:28:38,316 --> 00:28:39,750
GOOD.
585
00:28:42,955 --> 00:28:44,221
YEAH.
586
00:28:48,227 --> 00:28:49,507
[CHUCKLES]
587
00:28:51,730 --> 00:28:53,007
ARE YOU HAVING
588
00:28:53,031 --> 00:28:54,875
SOME KIND OF
HORMONAL SURGE HERE?
589
00:28:54,899 --> 00:28:55,877
FUCK YOU.
590
00:28:55,901 --> 00:28:57,979
THAT IS WHAT YOU SEEM TO WANT.
591
00:28:58,003 --> 00:28:59,347
IT IS, ACTUALLY.
592
00:28:59,371 --> 00:29:00,348
MM-HMM?
593
00:29:00,372 --> 00:29:01,616
YEAH.
594
00:29:01,640 --> 00:29:04,686
I JUST WANT TO FUCK ALL NIGHT,
595
00:29:04,710 --> 00:29:08,322
AND I WANT TO FUCK
AND FUCK AND FUCK
596
00:29:08,346 --> 00:29:10,992
AND FUCK AND FUCK.
597
00:29:11,016 --> 00:29:12,193
OH, OKAY.
598
00:29:12,217 --> 00:29:13,494
NO, NO, YOU KNOW,
599
00:29:13,518 --> 00:29:14,863
I'M NOT SO SURE
THAT I LIKE THIS.
600
00:29:14,887 --> 00:29:16,331
I DON'T THINK I LIKE THIS.
601
00:29:16,355 --> 00:29:17,765
WHY NOT?
602
00:29:17,789 --> 00:29:19,033
BECAUSE YOU'RE NOT
ACTING LIKE YOURSELF,
603
00:29:19,057 --> 00:29:21,169
AND I'M NOT SURE THAT I LIKE IT.
604
00:29:21,193 --> 00:29:22,870
OH, I SEE.
605
00:29:22,894 --> 00:29:23,872
IS IT MY APARTMENT?
606
00:29:23,896 --> 00:29:25,306
IS IT JUST TOO ORDINARY FOR YOU?
607
00:29:25,330 --> 00:29:27,909
OR, YOU KNOW, MAYBE
608
00:29:27,933 --> 00:29:30,478
IT'S THAT YOU NEED TO BE
IN CONTROL ALL THE TIME.
609
00:29:30,502 --> 00:29:32,146
OR MAYBE YOU NEED AN AUDIENCE.
610
00:29:32,170 --> 00:29:34,148
THAT'S IT.
611
00:29:34,172 --> 00:29:35,150
I DON'T THINK YOU'RE
INTERESTED IN SEX
612
00:29:35,174 --> 00:29:36,851
UNLESS THERE'S SOME SORT OF RISK
613
00:29:36,875 --> 00:29:40,655
OR SOMEONE'S WATCHING OR
SOMETHING ELSE IS GOING ON.
614
00:29:40,679 --> 00:29:42,357
HERE WE GO.
615
00:29:42,381 --> 00:29:43,791
HEY, WE'RE ABOUT TO HAVE SEX.
616
00:29:43,815 --> 00:29:44,793
YOU WANT TO COME IN AND WATCH?
617
00:29:44,817 --> 00:29:46,528
TINA, YOUR NEIGHBORS.
618
00:29:46,552 --> 00:29:48,529
MY NEIGHBORS!
619
00:29:48,553 --> 00:29:50,031
THAT IS A... THAT IS
A WONDERFUL IDEA!
620
00:29:50,055 --> 00:29:53,022
YOU ARE SO FUCKING HOT.
621
00:29:55,060 --> 00:29:56,704
HEY, WE'RE ABOUT TO HAVE
SEX, ME AND MY GIRLFRIEND.
622
00:29:56,728 --> 00:29:58,005
DO YOU WANT TO COME
DOWN HERE AND WATCH US?
623
00:29:58,029 --> 00:29:59,474
WE'RE JUST GOING TO FUCK!
624
00:29:59,498 --> 00:30:00,875
HAVE YOU GONE MAD?
625
00:30:00,899 --> 00:30:02,277
I DON'T KNOW.
626
00:30:02,301 --> 00:30:03,445
WHAT DO YOU THINK?
627
00:30:03,469 --> 00:30:04,913
WHAT DO YOU THINK?
THAT I'M FUCKING CRAZY?
628
00:30:04,937 --> 00:30:06,447
WHAT, ARE YOU TURNED ON?
629
00:30:06,471 --> 00:30:10,452
NO, I THINK YOUR HORMONES
ARE RAGING OUT OF CONTROL,
630
00:30:10,476 --> 00:30:11,619
AND I THINK I KNOW BETTER
631
00:30:11,643 --> 00:30:14,356
THAN TO REASON WITH YOU.
632
00:30:14,380 --> 00:30:16,458
WHAT, I'M NOT ALLOWED TO
HAVE ACTUAL FEELINGS NOW?
633
00:30:16,482 --> 00:30:17,993
TINA, I'VE BEEN
THROUGH THIS BEFORE.
634
00:30:18,017 --> 00:30:18,993
WINNIE WAS A MONSTER
635
00:30:19,017 --> 00:30:20,728
AT THIS STAGE IN HER PREGNANCY.
636
00:30:20,752 --> 00:30:22,712
YEAH, AND LOOK AT
YOU AND WINNIE NOW.
637
00:30:25,491 --> 00:30:27,135
YOU KNOW, I THINK
I'M GOING TO GO NOW.
638
00:30:27,159 --> 00:30:28,236
I'M GOING TO CALL YOU TOMORROW.
639
00:30:28,260 --> 00:30:29,271
NO.
640
00:30:29,295 --> 00:30:30,705
NO, I NEED YOU NOW.
641
00:30:30,729 --> 00:30:31,806
I NEED YOU TONIGHT.
642
00:30:31,830 --> 00:30:33,041
STAY HERE.
643
00:30:33,065 --> 00:30:34,309
I DON'T THINK SO.
644
00:30:34,333 --> 00:30:37,378
I THINK YOU NEED TO BE ALONE.
645
00:30:37,402 --> 00:30:39,569
YOU NEED TO BE ALONE, OKAY?
646
00:31:00,225 --> 00:31:01,669
WHAT AM I DOING?
647
00:31:01,693 --> 00:31:03,404
[BETTE]: I DON'T KNOW
HOW IT HAPPENED.
648
00:31:03,428 --> 00:31:04,406
I DON'T KNOW.
649
00:31:04,430 --> 00:31:05,907
I MEAN, WE WERE WORKING SO HARD
650
00:31:05,931 --> 00:31:09,844
AT FORGING THIS FRIENDSHIP.
651
00:31:09,868 --> 00:31:11,012
DO YOU THINK I FUCKED IT UP
652
00:31:11,036 --> 00:31:14,049
BY HAVING SEX WITH HER?
653
00:31:14,073 --> 00:31:15,350
DO YOU THINK YOU FUCKED IT UP?
654
00:31:15,374 --> 00:31:17,252
I DON'T KNOW.
655
00:31:17,276 --> 00:31:19,209
WHAT DID IT MEAN?
656
00:31:21,280 --> 00:31:23,358
I DON'T THINK SHE WANTS TO
GET BACK TOGETHER WITH ME.
657
00:31:23,382 --> 00:31:25,782
DO YOU WANT TO BE
BACK TOGETHER WITH HER?
658
00:31:32,824 --> 00:31:35,870
I DON'T KNOW.
659
00:31:35,894 --> 00:31:38,061
HOW DID IT FEEL,
HAVING SEX WITH HER?
660
00:31:40,299 --> 00:31:42,143
IT WAS FUCKING AMAZING.
661
00:31:42,167 --> 00:31:46,280
IT WAS JUST FUCKING... AMAZING.
662
00:31:46,304 --> 00:31:50,685
IT WAS LIKE ALL OF THE
REASONS THAT WE FELL APART
663
00:31:50,709 --> 00:31:52,587
JUST DISAPPEARED,
664
00:31:52,611 --> 00:31:54,789
AND IT WAS LIKE I HAD...
665
00:31:54,813 --> 00:31:57,847
IT WAS LIKE I HAD MY LIFE
BACK FOR JUST ONE SECOND...
666
00:32:04,389 --> 00:32:06,834
AND IT WAS ALSO REALLY SAD.
667
00:32:06,858 --> 00:32:08,558
SAD. HOW SO?
668
00:32:10,629 --> 00:32:12,306
BECAUSE I'VE LOST HER.
669
00:32:12,330 --> 00:32:17,078
BECAUSE WE DON'T...
670
00:32:17,102 --> 00:32:19,680
WELL, LIKE, SHE DOESN'T
BELONG TO ME ANYMORE.
671
00:32:19,704 --> 00:32:22,484
LIKE, I COULD FEEL SOMEONE
ELSE HAD BEEN TOUCHING HER
672
00:32:22,508 --> 00:32:24,252
AND MAKING LOVE TO HER,
673
00:32:24,276 --> 00:32:26,354
AND I FELT THAT OTHER PERSON,
674
00:32:26,378 --> 00:32:33,027
AND I FELT HER CONNECTION TO
THAT OTHER PERSON, YOU KNOW?
675
00:32:33,051 --> 00:32:36,998
AND SHE DID THINGS THAT WE
HAD NEVER DONE TOGETHER,
676
00:32:37,022 --> 00:32:42,637
AND IT WAS LIKE
SHE WAS SO... FREE.
677
00:32:42,661 --> 00:32:43,638
FREE.
678
00:32:43,662 --> 00:32:45,040
YEAH.
679
00:32:45,064 --> 00:32:46,908
I MEAN, I HAD ALWAYS
TREATED HER SO GINGERLY,
680
00:32:46,932 --> 00:32:49,176
YOU KNOW, LIKE SHE WAS
SOME KIND OF FRAGILE THING,
681
00:32:49,200 --> 00:32:50,445
AND NOW, EVEN
THOUGH SHE'S PREGNANT,
682
00:32:50,469 --> 00:32:51,746
IT'S LIKE SHE'S...
683
00:32:51,770 --> 00:32:53,069
IT'S LIKE SHE'S UNBREAKABLE.
684
00:33:06,084 --> 00:33:07,650
[SNIFFLES]
685
00:33:08,420 --> 00:33:09,919
I DON'T...
686
00:33:11,990 --> 00:33:12,967
[SIGHS]
687
00:33:12,991 --> 00:33:14,536
IT WAS SHOCKING, I GUESS.
688
00:33:14,560 --> 00:33:15,569
IT WAS SHOCKING.
689
00:33:15,593 --> 00:33:20,275
IT WAS SHOCKING
THAT SHE WAS SO...
690
00:33:20,299 --> 00:33:23,478
SURE OF HERSELF.
691
00:33:23,502 --> 00:33:25,947
BETTE...
692
00:33:25,971 --> 00:33:29,384
TINA'S BEEN THROUGH
SOME MAJOR ORDEALS
693
00:33:29,408 --> 00:33:35,356
YOUR BREAK-UP, A NEW
CAREER, HER PREGNANCY.
694
00:33:35,380 --> 00:33:37,625
THESE THINGS CAN
CHANGE A PERSON,
695
00:33:37,649 --> 00:33:40,728
MAKE THEM STRONGER.
696
00:33:40,752 --> 00:33:42,792
DON'T YOU THINK IT
MIGHT BE A GOOD THING?
697
00:33:44,556 --> 00:33:46,956
OF COURSE IT'S A GOOD THING.
698
00:33:52,363 --> 00:33:53,341
[SIGHS]
699
00:33:53,365 --> 00:33:55,298
IT JUST MEANS...
700
00:33:57,202 --> 00:34:00,236
SHE DOESN'T NEED ME ANYMORE.
701
00:34:24,763 --> 00:34:25,739
HEY, MARK,
702
00:34:25,763 --> 00:34:29,577
I NEED THOSE BURR
CONNOR DVDs BACK.
703
00:34:29,601 --> 00:34:31,579
HELLO?
704
00:34:31,603 --> 00:34:33,436
MARK?
705
00:34:43,582 --> 00:34:45,682
[♪♪♪]
706
00:35:04,802 --> 00:35:05,880
THIS IS THE PIECE CHRISTO DID
707
00:35:05,904 --> 00:35:09,150
BETWEEN '80 AND
'83 DOWN IN MIAMI.
708
00:35:09,174 --> 00:35:11,586
WE'VE INCLUDED IMAGES
FROM MICHAEL HEIZER,
709
00:35:11,610 --> 00:35:14,421
ROBERT SMITHSON,
WALTER DE MARIA,
710
00:35:14,445 --> 00:35:15,723
DENNIS OPPENHEIM,
711
00:35:15,747 --> 00:35:17,058
AND OF COURSE ANDY GOLDSWORTHY.
712
00:35:17,082 --> 00:35:18,059
I'VE BEEN TALKING TO ALLYN
713
00:35:18,083 --> 00:35:19,794
ABOUT COMMISSIONING A NEW PIECE.
714
00:35:19,818 --> 00:35:20,795
OF COURSE WE'LL HAVE TO DO
715
00:35:20,819 --> 00:35:22,530
MORE FUNDRAISING.
716
00:35:22,554 --> 00:35:26,200
HOW ABOUT IF I JUST
ADD IT INTO THE BUDGET?
717
00:35:26,224 --> 00:35:29,837
HELENA.
718
00:35:29,861 --> 00:35:31,472
WE'RE JUST IN THE
MIDDLE OF A MEETING.
719
00:35:31,496 --> 00:35:34,742
I'M OFFERING TO UNDERWRITE
ALLYN'S ENTIRE RETROSPECTIVE.
720
00:35:34,766 --> 00:35:36,343
I DON'T WANT MONEY
TO BE A DECIDING FACTOR
721
00:35:36,367 --> 00:35:38,345
ON ANY CREATIVE DECISION.
722
00:35:38,369 --> 00:35:39,514
DO YOU HAVE A BUDGET?
723
00:35:39,538 --> 00:35:40,848
I DO.
724
00:35:40,872 --> 00:35:42,283
WELL, I'D LIKE TO
SEE IT, IF I MAY.
725
00:35:42,307 --> 00:35:43,451
WELL, I'M NOT REALLY READY
726
00:35:43,475 --> 00:35:44,452
TO PRESENT IT YET,
727
00:35:44,476 --> 00:35:46,621
BUT I WILL SHOW IT
TO THE ENTIRE BOARD.
728
00:35:46,645 --> 00:35:49,390
THAT'S NOT REALLY
HOW I LIKE TO WORK.
729
00:35:49,414 --> 00:35:50,892
WELL, IT'S THE ONLY
WAY I CAN WORK.
730
00:35:50,916 --> 00:35:53,127
I CAN DEAL WITH LEO ON THIS
731
00:35:53,151 --> 00:35:54,796
IF YOU'D RATHER.
732
00:35:54,820 --> 00:35:56,331
CAN WE JUST HAVE A
SEPARATE MEETING?
733
00:35:56,355 --> 00:35:58,432
ABSOLUTELY.
734
00:35:58,456 --> 00:35:59,889
GREAT.
735
00:36:05,930 --> 00:36:08,297
OH, I'M JUST GOING TO SIT
HERE AND LISTEN FOR A WHILE.
736
00:36:12,671 --> 00:36:14,615
OKAY.
737
00:36:14,639 --> 00:36:17,051
WHY DON'T YOU SHOW
HELENA YOUR PROPOSAL
738
00:36:17,075 --> 00:36:20,288
FOR DEALING WITH
THE PASSAGE OF TIME?
739
00:36:20,312 --> 00:36:21,312
[CLEARS THROAT]
740
00:36:25,851 --> 00:36:29,964
YOU DON'T THINK YOU AND
JENNY ARE THE REAL DEAL?
741
00:36:29,988 --> 00:36:31,499
NO.
742
00:36:31,523 --> 00:36:34,368
JENNY WOULDN'T KNOW
WHAT THE REAL DEAL WAS
743
00:36:34,392 --> 00:36:36,637
IF IT BIT HER IN THE ASS.
744
00:36:36,661 --> 00:36:40,909
SHE IS SO LOST IN
HER OWN DARKNESS.
745
00:36:40,933 --> 00:36:43,544
I THINK SHE LIKES IT IN THERE.
746
00:36:43,568 --> 00:36:47,181
BUT YOU KNOW WHAT'S FUCKED UP?
747
00:36:47,205 --> 00:36:48,182
IS THAT YOU AND I KNOW
748
00:36:48,206 --> 00:36:49,650
WHAT THE REAL DEAL IS.
749
00:36:49,674 --> 00:36:51,319
WE SAW IT THE FIRST TIME
750
00:36:51,343 --> 00:36:54,755
WE LAID EYES ON EACH OTHER.
751
00:36:54,779 --> 00:36:56,223
HELLO.
752
00:36:56,247 --> 00:36:57,224
HI.
753
00:36:57,248 --> 00:36:58,359
HOW ARE YOU FEELING TODAY?
754
00:36:58,383 --> 00:37:00,127
SAME AS YESTERDAY.
755
00:37:00,151 --> 00:37:03,786
YOU'RE COMING OVER
TO MY HOUSE TONIGHT.
756
00:37:09,293 --> 00:37:11,071
ARE YOU SURE YOU WANT TO SEE ME?
757
00:37:11,095 --> 00:37:12,406
WHAT IF I HAVE
758
00:37:12,430 --> 00:37:14,676
SOME SORT OF HORMONAL FIT?
759
00:37:14,700 --> 00:37:17,545
I'M SORRY, THAT WAS...
760
00:37:17,569 --> 00:37:20,781
THAT WAS UNCALLED
FOR ON MY BEHALF.
761
00:37:20,805 --> 00:37:22,382
ACCEPT MY APOLOGY?
762
00:37:22,406 --> 00:37:24,151
LOOK, IF YOU WANT
ME IN YOUR LIFE,
763
00:37:24,175 --> 00:37:26,787
YOU JUST HAVE TO
UNDERSTAND ONE THING, OKAY?
764
00:37:26,811 --> 00:37:28,455
I'M NOT SOME SORT OF TOY
765
00:37:28,479 --> 00:37:29,890
THAT YOU CAN TAKE
DOWN OFF THE SHELF
766
00:37:29,914 --> 00:37:32,093
AND PLAY WITH WHENEVER
IT SUITS YOUR MOOD.
767
00:37:32,117 --> 00:37:33,361
DO YOU UNDERSTAND?
768
00:37:33,385 --> 00:37:34,662
YES.
769
00:37:34,686 --> 00:37:36,063
YOU'RE NOT A TOY.
770
00:37:36,087 --> 00:37:37,631
AND IF WE HAVE SOME
SORT OF DISAGREEMENT,
771
00:37:37,655 --> 00:37:40,167
THE FACT THAT I'M
PREGNANT, IT'S NOT FAIR GAME.
772
00:37:40,191 --> 00:37:41,502
I DON'T WANT TO BE REDUCED
773
00:37:41,526 --> 00:37:43,304
TO SOME SORT OF RAGING
HORMONAL LUNATIC.
774
00:37:43,328 --> 00:37:45,862
IT'LL NEVER HAPPEN AGAIN.
775
00:37:47,799 --> 00:37:48,776
GOOD.
776
00:37:48,800 --> 00:37:53,503
SO... DO I SEE YOU LATER ON?
777
00:37:54,839 --> 00:37:55,839
OKAY.
778
00:37:57,476 --> 00:37:59,686
GOOD.
779
00:37:59,710 --> 00:38:01,544
SEE YOU LATER, DARLING.
780
00:38:07,118 --> 00:38:08,485
BYE.
781
00:38:11,322 --> 00:38:12,889
[GRUNTING]
782
00:38:53,998 --> 00:38:54,975
YOU ALL RIGHT?
783
00:38:54,999 --> 00:38:56,644
YEAH, I'M ALL RIGHT.
784
00:38:56,668 --> 00:38:58,267
WHAT A HIT.
785
00:39:01,673 --> 00:39:03,250
BE WITH YOU IN A SEC.
786
00:39:03,274 --> 00:39:04,785
WE GOT TO STOP.
787
00:39:04,809 --> 00:39:05,787
OH, THAT'S GOING
TO LEAVE A MARK.
788
00:39:05,811 --> 00:39:06,787
I'LL BE ALL RIGHT.
789
00:39:06,811 --> 00:39:08,091
OKAY.
790
00:39:10,582 --> 00:39:12,615
OKAY, THAT'S GOOD.
791
00:39:14,318 --> 00:39:15,530
HEY. JENNY. HELLO.
792
00:39:15,554 --> 00:39:16,530
ROY, JENNY.
793
00:39:16,554 --> 00:39:17,465
NICE TO MEET YOU.
794
00:39:17,489 --> 00:39:18,833
NICE TO MEET YOU, TOO.
795
00:39:18,857 --> 00:39:20,167
LET ME SHAKE YOUR HAND.
796
00:39:20,191 --> 00:39:21,168
YOU READY?
797
00:39:21,192 --> 00:39:22,169
GREAT.
798
00:39:22,193 --> 00:39:23,726
COME ON OVER.
799
00:39:25,530 --> 00:39:26,840
HOW ARE YOU?
800
00:39:26,864 --> 00:39:27,975
A LITTLE SORE.
801
00:39:27,999 --> 00:39:30,544
YEAH? THAT'S AWESOME.
802
00:39:30,568 --> 00:39:33,481
COOL.
803
00:39:33,505 --> 00:39:34,882
OKAY, SO...
804
00:39:34,906 --> 00:39:36,250
OKAY.
805
00:39:36,274 --> 00:39:39,108
SO YOU GOT ALL YOUR STUFF?
806
00:39:40,512 --> 00:39:42,489
YOU CAN USE YOUR LITTLE
TAPE RECORDER TODAY.
807
00:39:42,513 --> 00:39:43,491
[THUMPS]
808
00:39:43,515 --> 00:39:44,492
WHAT'S THE MATTER?
809
00:39:44,516 --> 00:39:45,592
NOTHING.
810
00:39:45,616 --> 00:39:46,594
SOMETHING'S THE MATTER.
811
00:39:46,618 --> 00:39:47,594
NOPE.
812
00:39:47,618 --> 00:39:48,763
YOU SURE?
813
00:39:48,787 --> 00:39:49,930
[SNIFFLES]
814
00:39:49,954 --> 00:39:50,954
JENNY.
815
00:39:52,890 --> 00:39:56,304
JENNY, STOP.
816
00:39:56,328 --> 00:39:58,239
NO, NO, NO. COME ON.
817
00:39:58,263 --> 00:39:59,240
NO, NO, NO, PLEASE.
818
00:39:59,264 --> 00:40:00,307
PLEASE, LET ME DO MY JOB.
819
00:40:00,331 --> 00:40:01,309
PLEASE. I'M SORRY.
820
00:40:01,333 --> 00:40:02,309
JUST IGNORE ME.
821
00:40:02,333 --> 00:40:04,111
I HAVE SUCH BAD HAY FEVER.
822
00:40:04,135 --> 00:40:05,213
PLEASE, PLEASE, PLEASE.
823
00:40:05,237 --> 00:40:06,769
PLEASE?
824
00:40:08,339 --> 00:40:10,584
[CRYING]
825
00:40:10,608 --> 00:40:13,988
IT'S OKAY, ALL RIGHT?
826
00:40:14,012 --> 00:40:15,845
[KIT HUMMING]
827
00:40:22,020 --> 00:40:24,198
IS EVERYTHING
ALL RIGHT IN THERE?
828
00:40:24,222 --> 00:40:25,232
IT'S PERFECT. DON'T WORRY.
829
00:40:25,256 --> 00:40:26,934
LARA IS WORKING HER MAGIC.
830
00:40:26,958 --> 00:40:28,335
EXCELLENT.
831
00:40:28,359 --> 00:40:30,292
[CELL PHONE RINGING]
832
00:40:33,164 --> 00:40:35,443
HELLO.
833
00:40:35,467 --> 00:40:39,301
HI, BABY, WHERE YOU AT?
834
00:40:41,439 --> 00:40:43,172
OH, NO.
835
00:40:45,076 --> 00:40:47,788
WHAT HAPPENED?
836
00:40:47,812 --> 00:40:49,924
THE HOSPITAL.
837
00:40:49,948 --> 00:40:53,861
OH, NO, NO, NO, I UNDERSTAND.
838
00:40:53,885 --> 00:40:54,928
[SIGHS]
839
00:40:54,952 --> 00:40:57,998
NO, I HOPE HER MAMA'S OKAY.
840
00:40:58,022 --> 00:41:01,502
NO, UM...
841
00:41:01,526 --> 00:41:05,639
OH, NO, NO, DON'T EVEN
WORRY ABOUT IT, OKAY?
842
00:41:05,663 --> 00:41:08,476
IT'S YOUR FAMILY,
843
00:41:08,500 --> 00:41:10,420
AND YOU HAVE TO
BE THERE FOR THEM.
844
00:41:11,970 --> 00:41:14,549
YEAH, IT'S OKAY.
845
00:41:14,573 --> 00:41:19,954
SO JUST CALL ME NEXT WEEK, OKAY?
846
00:41:19,978 --> 00:41:21,255
AND I...
847
00:41:21,279 --> 00:41:23,557
I HOPE EVERYTHING
WORKS OUT OKAY.
848
00:41:23,581 --> 00:41:25,292
ALL RIGHT.
849
00:41:25,316 --> 00:41:26,827
BYE, NOW.
850
00:41:26,851 --> 00:41:28,618
[♪♪♪]
851
00:41:30,488 --> 00:41:32,555
[SIGHS]
852
00:41:34,392 --> 00:41:35,369
WHAT?
853
00:41:35,393 --> 00:41:37,972
I GUESS... I GUESS...
854
00:41:37,996 --> 00:41:39,340
SO IS DINNER OFF?
855
00:41:39,364 --> 00:41:43,399
JUST PUT IT ON THE
MENU AND SELL IT.
856
00:42:03,588 --> 00:42:06,367
[TINA]: HELLO?
857
00:42:06,391 --> 00:42:07,391
IN THE KITCHEN.
858
00:42:09,193 --> 00:42:11,305
HEY.
859
00:42:11,329 --> 00:42:13,274
HEY.
860
00:42:13,298 --> 00:42:14,931
THANK YOU.
861
00:42:20,238 --> 00:42:21,648
DID YOU COOK ALL THIS?
862
00:42:21,672 --> 00:42:22,650
MM-HMM.
863
00:42:22,674 --> 00:42:25,786
I GAVE SANDRA THE NIGHT OFF.
864
00:42:25,810 --> 00:42:27,354
YOU MEAN WE'RE COMPLETELY ALONE?
865
00:42:27,378 --> 00:42:28,356
MM-HMM.
866
00:42:28,380 --> 00:42:30,925
THAT LOOKS AMAZING.
867
00:42:30,949 --> 00:42:34,561
I WAS ACTUALLY THINKING OF
BECOMING A CHEF AT ONE POINT.
868
00:42:34,585 --> 00:42:37,097
YOU'RE JUST FULL OF SURPRISES.
869
00:42:37,121 --> 00:42:40,333
NOW, LOOK, I KNOW
YOU'RE NOT SUPPOSED TO,
870
00:42:40,357 --> 00:42:42,135
BUT THIS IS TOO GOOD TO MISS.
871
00:42:42,159 --> 00:42:45,539
JUST A SIP.
872
00:42:45,563 --> 00:42:47,208
NOW,
873
00:42:47,232 --> 00:42:48,976
COME WITH ME.
874
00:42:49,000 --> 00:42:51,478
I'M GOING TO SIT YOU DOWN
875
00:42:51,502 --> 00:42:55,805
AND WAIT ON YOU HAND AND FOOT.
876
00:43:03,715 --> 00:43:04,925
[UNZIPS BOOT]
877
00:43:04,949 --> 00:43:07,828
I DON'T DESERVE IT.
878
00:43:07,852 --> 00:43:09,296
FORGET ABOUT DESERVE.
879
00:43:09,320 --> 00:43:13,334
DESERVE SUGGESTS
YOU HAVE TO WORK FOR IT.
880
00:43:13,358 --> 00:43:17,927
JUST THINK, "I'M
ENTITLED TO IT."
881
00:43:19,864 --> 00:43:21,263
I LIKE THAT.
882
00:43:22,968 --> 00:43:25,445
IT COULDN'T HAVE
BEEN WORSE TIMING
883
00:43:25,469 --> 00:43:26,646
FOR MY SPONSOR
TO BE OUT OF TOWN.
884
00:43:26,670 --> 00:43:27,581
BUT YOU FOUND YOUR STRENGTH
885
00:43:27,605 --> 00:43:29,149
AND YOU HUNG ON.
886
00:43:29,173 --> 00:43:30,784
GOOD FOR YOU, RYAN.
887
00:43:30,808 --> 00:43:32,041
THANKS FOR SHARING TONIGHT.
888
00:43:39,783 --> 00:43:41,494
HEY, PRETTY LADY.
889
00:43:41,518 --> 00:43:43,878
LOOKS LIKE YOU HAVE SOMETHING
YOU WANT TO SHARE TONIGHT.
890
00:43:57,936 --> 00:43:59,847
HI.
891
00:43:59,871 --> 00:44:00,981
I'M KIT.
892
00:44:01,005 --> 00:44:01,983
HI, KIT.
893
00:44:02,007 --> 00:44:03,740
HEY, KIT.
894
00:44:08,412 --> 00:44:12,626
AND, UM, I GOT STOOD UP TONIGHT.
895
00:44:12,650 --> 00:44:14,295
I GOT STOOD UP,
896
00:44:14,319 --> 00:44:16,997
AND I...
897
00:44:17,021 --> 00:44:18,232
I LOOKED OVER AT
THAT BOTTLE OF WINE
898
00:44:18,256 --> 00:44:25,406
SITTING ON THE TABLE
THAT I SET FOR HIM,
899
00:44:25,430 --> 00:44:26,640
AND I JUST SAID,
"FUCK IT," YOU KNOW?
900
00:44:26,664 --> 00:44:29,677
I DON'T WANT THAT
BOTTLE OF WINE,
901
00:44:29,701 --> 00:44:32,179
BUT I'M...
902
00:44:32,203 --> 00:44:33,380
I'M JUST SO DAMN LONELY
903
00:44:33,404 --> 00:44:37,017
THAT I JUST WANTED TO
BE AROUND SOMEBODY
904
00:44:37,041 --> 00:44:41,010
WHO WOULD LISTEN TO ME.
905
00:44:45,650 --> 00:44:47,516
SO I CAME HERE.
906
00:44:49,687 --> 00:44:52,098
WE'RE GLAD YOU CAME, KIT.
907
00:44:52,122 --> 00:44:53,189
[GROUP APPLAUDS]
908
00:44:58,095 --> 00:45:00,963
[♪♪♪]
909
00:45:21,753 --> 00:45:23,897
SO THIS IS WHERE
YOU SPEND YOUR TIME.
910
00:45:23,921 --> 00:45:25,532
YEAH, THIS IS THE PLACE.
911
00:45:25,556 --> 00:45:26,533
OH, THERE'S MY GAL.
912
00:45:26,557 --> 00:45:28,369
HEY. HEY.
913
00:45:28,393 --> 00:45:30,126
HOW ARE YOU, BABY?
914
00:45:31,395 --> 00:45:32,873
GOD, I AM SO EXHAUSTED.
915
00:45:32,897 --> 00:45:34,375
I HAD TO DANCE TWO
SETS BACK TO BACK,
916
00:45:34,399 --> 00:45:35,575
AND MY FEET ARE KILLING ME.
917
00:45:35,599 --> 00:45:36,477
UM, IRIS,
918
00:45:36,501 --> 00:45:38,411
I'D LIKE YOU TO MEET KIT.
919
00:45:38,435 --> 00:45:39,580
SORRY. NICE TO MEET YOU.
920
00:45:39,604 --> 00:45:40,814
SAME.
921
00:45:40,838 --> 00:45:41,882
SO YOU WANT TO HANG?
922
00:45:41,906 --> 00:45:44,217
I CAN GET A TABLE OVER HERE.
923
00:45:44,241 --> 00:45:46,987
UM, NO, I REALLY DON'T
WANT TO BE THE THIRD WHEEL.
924
00:45:47,011 --> 00:45:48,555
OH, KIT, COME ON.
925
00:45:48,579 --> 00:45:49,557
NO, NO.
926
00:45:49,581 --> 00:45:51,658
KIT'S HAD A REALLY ROUGH NIGHT.
927
00:45:51,682 --> 00:45:54,695
SHE IN THE PROGRAM?
928
00:45:54,719 --> 00:45:55,719
COME ON.
929
00:46:08,699 --> 00:46:10,644
SO YOU KNOW EACH
OTHER FROM THE PROGRAM?
930
00:46:10,668 --> 00:46:13,414
KI-KIT OWNS THE PLANET.
931
00:46:13,438 --> 00:46:14,581
OH, RIGHT,
932
00:46:14,605 --> 00:46:16,183
THAT LESBIAN PLACE
YOU INVESTED IN.
933
00:46:16,207 --> 00:46:18,752
IT'S NOT ONLY A LESBIAN
PLACE, YOU KNOW?
934
00:46:18,776 --> 00:46:20,788
ALTHOUGH A LOT OF MY
CUSTOMERS ARE LESBIANS, BUT...
935
00:46:20,812 --> 00:46:21,788
YEAH, IVAN'S TRIED
936
00:46:21,812 --> 00:46:23,289
TO TAKE ME THERE A FEW TIMES.
937
00:46:23,313 --> 00:46:24,413
IT'S JUST NOT MY SCENE.
938
00:46:26,050 --> 00:46:28,061
WELL, MAYBE YOU
SHOULDN'T PASS JUDGMENT
939
00:46:28,085 --> 00:46:29,997
UNTIL YOU'VE BEEN THERE.
940
00:46:30,021 --> 00:46:32,066
I JUST DON'T HANG OUT
WITH LESBIANS VERY MUCH.
941
00:46:32,090 --> 00:46:33,767
IT'S TOO MUCH DRAMA.
942
00:46:33,791 --> 00:46:34,901
I REMEMBER THIS ONE TIME
943
00:46:34,925 --> 00:46:35,936
WHEN IVAN AND I FIRST
STARTED SEEING EACH OTHER
944
00:46:35,960 --> 00:46:37,471
ABOUT FIVE YEARS AGO,
945
00:46:37,495 --> 00:46:40,006
AND THERE WAS THIS ONE TIME...
946
00:46:40,030 --> 00:46:41,242
WAIT, WAIT, WAIT.
947
00:46:41,266 --> 00:46:43,944
FIVE, FIVE YEARS AGO?
948
00:46:43,968 --> 00:46:47,380
BABY, IT'S BEEN ABOUT
THAT LONG, RIGHT?
949
00:46:47,404 --> 00:46:50,250
YOU MEAN YOU... YOU'VE
BEEN SEEING EACH OTHER
950
00:46:50,274 --> 00:46:52,152
FOR THE LAST FIVE YEARS?
951
00:46:52,176 --> 00:46:53,487
YOU KNOW WHAT? I'VE GOT TO WORK.
952
00:46:53,511 --> 00:46:58,447
SEEMS LIKE YOU TWO HAVE
SOME UNFINISHED BUSINESS.
953
00:47:01,853 --> 00:47:05,299
YOU'VE BEEN DOING MISS THANG
AND TRYING TO ROMANCE ME?
954
00:47:05,323 --> 00:47:07,401
KIT, YOU'RE GOING DOWN
A REAL BAD ROAD HERE.
955
00:47:07,425 --> 00:47:10,136
OH, IT'S A VERY BAD
ROAD, A ROAD OF LIES.
956
00:47:10,160 --> 00:47:11,372
WE NEVER DISCUSSED
MONOGAMY, OKAY?
957
00:47:11,396 --> 00:47:13,406
WE DIDN'T GET THAT FAR,
958
00:47:13,430 --> 00:47:15,075
BUT IF WE HAD, I WOULD'VE
EXPLAINED TO YOU
959
00:47:15,099 --> 00:47:16,643
THAT IT JUST DOESN'T
WORK FOR ME.
960
00:47:16,667 --> 00:47:18,512
AND I WOULD HAVE
TOLD YOU TO FUCK OFF.
961
00:47:18,536 --> 00:47:19,880
KIT, I'M NOT TRYING TO
WIN AN ARGUMENT HERE,
962
00:47:19,904 --> 00:47:21,982
BUT DIDN'T YOU JUST
STAND UP IN A MEETING
963
00:47:22,006 --> 00:47:22,983
AND ANNOUNCE
964
00:47:23,007 --> 00:47:24,251
THAT YOU'RE SEEING
A MARRIED MAN?
965
00:47:24,275 --> 00:47:26,486
OH, DON'T YOU EVEN GO THERE.
966
00:47:26,510 --> 00:47:27,855
YOU OF ALL PEOPLE
967
00:47:27,879 --> 00:47:29,490
BETTER NOT EVEN
TRY TO PASS JUDGMENT.
968
00:47:29,514 --> 00:47:31,892
YOU ARE DECEIVING SOMEONE, OKAY?
969
00:47:31,916 --> 00:47:33,527
YOU'RE LYING TO SOMEBODY'S WIFE.
970
00:47:33,551 --> 00:47:36,864
AND THE WAY YOU LIVE YOUR LIFE?
971
00:47:36,888 --> 00:47:39,255
LET ME GET THE FUCK
OUT OF HERE, ALL RIGHT?
972
00:47:48,433 --> 00:47:49,433
EXCUSE ME.
973
00:47:55,239 --> 00:47:58,652
I'M SUCH A FUCKING IDIOT.
974
00:47:58,676 --> 00:47:59,786
I SHOULD'VE...
975
00:47:59,810 --> 00:48:00,787
IT WAS SO OBVIOUS
976
00:48:00,811 --> 00:48:03,757
THAT ALL OF THIS
WAS GOING TO HAPPEN.
977
00:48:03,781 --> 00:48:06,159
IT HAPPENS, JENNY.
978
00:48:06,183 --> 00:48:08,529
IT DOESN'T MAKE YOU AN IDIOT.
979
00:48:08,553 --> 00:48:12,299
EVERY TIME I THINK
EVERYTHING'S GOING REALLY WELL,
980
00:48:12,323 --> 00:48:16,836
AND EVEN IF I TRY REALLY HARD,
981
00:48:16,860 --> 00:48:19,895
IT ALL FUCKS UP.
982
00:48:22,300 --> 00:48:25,412
AND I THINK THAT...
983
00:48:25,436 --> 00:48:27,081
MAYBE I'M JUST ONE
OF THOSE PEOPLE
984
00:48:27,105 --> 00:48:31,551
THAT DOESN'T
DESERVE TO BE HAPPY.
985
00:48:31,575 --> 00:48:33,687
BULLSHIT.
986
00:48:33,711 --> 00:48:35,122
EVERYONE DESERVES TO BE HAPPY.
987
00:48:35,146 --> 00:48:36,890
I DON'T KNOW.
988
00:48:36,914 --> 00:48:37,925
WE ALL DO.
989
00:48:37,949 --> 00:48:39,326
WE ALL DESERVE
TO BE HAPPY, JENNY.
990
00:48:39,350 --> 00:48:40,827
MOST OF US JUST
DON'T HAVE THE BALLS
991
00:48:40,851 --> 00:48:42,996
TO TAKE RESPONSIBILITY FOR IT.
992
00:48:43,020 --> 00:48:44,898
YOU'RE FACING YOUR
DEMONS HEAD ON,
993
00:48:44,922 --> 00:48:47,734
AND THAT IS SOMETHING
I'VE NEVER DONE.
994
00:48:47,758 --> 00:48:51,905
YOU WANT TO LOOK AT SOMEONE
WHO'S FUCKED UP THEIR LIFE?
995
00:48:51,929 --> 00:48:53,929
TAKE A LOOK AT ME.
996
00:48:55,999 --> 00:48:57,666
WHAT DID YOU DO?
997
00:49:03,107 --> 00:49:05,118
OKAY, I'M GOING TO TELL
YOU SOMETHING NOW.
998
00:49:05,142 --> 00:49:06,120
[SNIFFLES]
999
00:49:06,144 --> 00:49:07,476
OKAY.
1000
00:49:12,183 --> 00:49:14,194
MY LIFE ENDED 20 YEARS AGO,
1001
00:49:14,218 --> 00:49:15,629
WHEN I DESTROYED THE ONE PERSON
1002
00:49:15,653 --> 00:49:17,831
WHO MEANT ANYTHING
TO ME IN THE WORLD
1003
00:49:17,855 --> 00:49:20,556
BECAUSE I WAS TOO
FUCKING SCARED TO BE HAPPY.
1004
00:49:25,229 --> 00:49:28,108
HE HAD A GOOD CAREER, TOO.
1005
00:49:28,132 --> 00:49:30,532
HE DIDN'T DESERVE
TO GO DOWN LIKE THAT.
1006
00:49:36,673 --> 00:49:40,276
ROD SEBRING, RIGHT?
1007
00:49:42,246 --> 00:49:45,414
LOVE OF MY LIFE.
1008
00:49:53,257 --> 00:49:54,757
YOU'RE A FAG.
1009
00:49:56,494 --> 00:49:57,838
YEP.
1010
00:49:57,862 --> 00:50:02,176
CARD-CARRYING MEMBER
OF THE COCKSUCKERS' CLUB.
1011
00:50:02,200 --> 00:50:03,432
YEAH.
1012
00:50:07,338 --> 00:50:09,271
WHAT DID YOU DO TO HIM?
1013
00:50:11,908 --> 00:50:14,254
I HAD MY PUBLICIST PLANT
AN ITEM IN THE TABLOIDS
1014
00:50:14,278 --> 00:50:16,745
AFTER I CAUGHT
HIM FUCKING A P.A.
1015
00:50:22,453 --> 00:50:24,231
CAN'T SAY I BLAME HIM
FOR SCREWING THE KID.
1016
00:50:24,255 --> 00:50:26,333
I MEAN, I MADE HIM SO
FUCKING MISERABLE.
1017
00:50:26,357 --> 00:50:27,367
WHY WOULD YOU DO THAT
1018
00:50:27,391 --> 00:50:32,572
IF YOU LOVED HIM SO MUCH?
1019
00:50:32,596 --> 00:50:35,097
I LOVED HIM SO MUCH.
1020
00:50:36,901 --> 00:50:38,645
AND NOW I'VE GOT
THOUSANDS OF PEOPLE
1021
00:50:38,669 --> 00:50:39,646
KISSING MY ASS.
1022
00:50:39,670 --> 00:50:41,381
EVERYBODY LOVES ME.
1023
00:50:41,405 --> 00:50:43,516
I FUCK WHO I WANT TO FUCK.
1024
00:50:43,540 --> 00:50:44,384
IT'S SECRET.
1025
00:50:44,408 --> 00:50:47,154
ANONYMOUS, YOU KNOW.
1026
00:50:47,178 --> 00:50:49,912
I PAY THEM OR THREATEN
THEM TO KEEP QUIET...
1027
00:50:52,083 --> 00:50:53,949
AND I'M ALONE.
1028
00:50:58,889 --> 00:51:00,167
YOU GOT IT RIGHT, GIRL.
1029
00:51:00,191 --> 00:51:02,190
BELIEVE ME.
1030
00:51:05,896 --> 00:51:06,973
I HONESTLY DON'T KNOW
1031
00:51:06,997 --> 00:51:10,599
WHAT THE FUCK I
WAS SO AFRAID OF.
1032
00:51:16,940 --> 00:51:21,510
IT'S NOT TOO LATE.
1033
00:51:23,914 --> 00:51:26,015
DO YOU KNOW WHY?
1034
00:51:28,251 --> 00:51:30,252
YOU'RE SO LOVELY.
1035
00:51:33,857 --> 00:51:36,970
I'M AFRAID IT IS
TOO LATE, JENNY.
1036
00:51:36,994 --> 00:51:39,173
IT IS, FOR ME.
1037
00:51:39,197 --> 00:51:43,176
I'M NOT LIKE YOU.
1038
00:51:43,200 --> 00:51:47,848
NOW, YOU DO REALIZE, OF
COURSE, THAT YOU'RE FIRED.
1039
00:51:47,872 --> 00:51:49,616
PLEASE DON'T FIRE ME. NO.
1040
00:51:49,640 --> 00:51:52,418
I CAN'T BE FIRED
FROM ANOTHER JOB.
1041
00:51:52,442 --> 00:51:53,420
[SNIFFLES]
1042
00:51:53,444 --> 00:51:55,589
YOU DON'T WANT TO WORK WITH ME.
1043
00:51:55,613 --> 00:51:56,790
YOU'RE TOO DAMN GOOD
1044
00:51:56,814 --> 00:51:58,258
TO BE CHURNING OUT
SOME PRESS KIT PABLUM
1045
00:51:58,282 --> 00:52:00,026
FOR AN OLD CLOSET QUEEN, HMM?
1046
00:52:00,050 --> 00:52:03,430
YOU ARE GOING TO
COME UP WITH SOMETHING.
1047
00:52:03,454 --> 00:52:06,533
I FEEL IT RADIATING FROM YOU,
1048
00:52:06,557 --> 00:52:09,869
BUT HEAR THIS...
1049
00:52:09,893 --> 00:52:13,773
IF YOU'RE EVER TEMPTED,
1050
00:52:13,797 --> 00:52:18,378
AND I READ SOMETHING
ABOUT THIS ANYWHERE,
1051
00:52:18,402 --> 00:52:19,702
I WILL HAVE YOU KILLED.
1052
00:52:21,872 --> 00:52:23,283
YOU THINK I'M KIDDING?
1053
00:52:23,307 --> 00:52:24,284
NO.
1054
00:52:24,308 --> 00:52:25,588
GOOD, BECAUSE I'M NOT.
1055
00:52:33,817 --> 00:52:35,562
THEY JUST FINISHED
IT THIS MORNING.
1056
00:52:35,586 --> 00:52:37,619
THIS IS WILSON'S ROOM.
1057
00:52:41,859 --> 00:52:46,506
JUN YING HAS ALWAYS
WANTED A CANOPY.
1058
00:52:46,530 --> 00:52:48,842
I THINK SHE THINKS
SHE'S MARIE ANTOINETTE.
1059
00:52:48,866 --> 00:52:52,134
OH, GOD. LET'S HOPE LADY
GUINEVERE OR SOMETHING.
1060
00:53:02,346 --> 00:53:04,724
THEY'RE LUCKY KIDS.
1061
00:53:04,748 --> 00:53:07,750
MM.
1062
00:53:10,654 --> 00:53:13,066
THERE'S ONE MORE.
1063
00:53:13,090 --> 00:53:14,422
ONE MORE?
1064
00:53:16,427 --> 00:53:19,605
FOR YOU...
1065
00:53:19,629 --> 00:53:21,763
AND FOR HER.
1066
00:53:34,545 --> 00:53:36,890
I DON'T KNOW WHAT TO SAY.
1067
00:53:36,914 --> 00:53:40,360
IT'S... IT'S DAZZLING.
1068
00:53:40,384 --> 00:53:42,996
IT IS SO BEAUTIFUL.
1069
00:53:43,020 --> 00:53:47,356
IT IS TRULY AMAZING. I...
1070
00:53:48,960 --> 00:53:50,959
BUT, HELENA...
1071
00:53:56,734 --> 00:54:00,647
IT'S FOR WHEN YOU BOTH STAY.
1072
00:54:00,671 --> 00:54:02,916
I JUST...
1073
00:54:02,940 --> 00:54:06,820
I DID IT BECAUSE I WANTED TO.
1074
00:54:06,844 --> 00:54:08,777
OKAY?
1075
00:54:17,921 --> 00:54:21,300
I HOPE YOU LIKE IT...
1076
00:54:21,324 --> 00:54:23,303
BOTH OF YOU.
1077
00:54:23,327 --> 00:54:25,260
[♪♪♪]
1078
00:54:39,677 --> 00:54:40,720
WELL, WHAT DO YOU MEAN?
1079
00:54:40,744 --> 00:54:41,821
WHAT KIND OF FASHION SHOW?
1080
00:54:41,845 --> 00:54:43,690
[DANA]: JUST... JUST HANG ON.
1081
00:54:43,714 --> 00:54:44,957
ALL RIGHT, WELL,
DO YOU NEED HELP?
1082
00:54:44,981 --> 00:54:46,159
NO, NO, NO, AL.
1083
00:54:46,183 --> 00:54:48,128
JUST... GOD, THIS
THING'S SO COMPLICATED.
1084
00:54:48,152 --> 00:54:49,128
[THUD]
1085
00:54:49,152 --> 00:54:50,863
OH!
1086
00:54:50,887 --> 00:54:53,099
UH... YOU ALL RIGHT?
1087
00:54:53,123 --> 00:54:54,368
YEAH.
1088
00:54:54,392 --> 00:54:56,502
WHAT IS IT?
1089
00:54:56,526 --> 00:54:59,673
WHERE YOU DON'T KNOW
WHERE THE STRAPS GO?
1090
00:54:59,697 --> 00:55:00,507
SORT OF.
1091
00:55:00,531 --> 00:55:02,108
OKAY, ARE YOU READY?
1092
00:55:02,132 --> 00:55:03,443
YEAH, I'M TOTALLY READY.
1093
00:55:03,467 --> 00:55:06,434
DON'T LAUGH, OKAY?
1094
00:55:26,423 --> 00:55:28,790
FUCK.
1095
00:55:30,794 --> 00:55:32,427
WHO'S LAUGHING?
1096
00:55:41,371 --> 00:55:44,251
CAPTIONING PERFORMED BY:
1097
00:55:44,275 --> 00:55:47,108
LINE 21 MEDIA SERVICES
LTD. VANCOUVER, B.C. 2005